AFFIRMATIONS. AFFIRMATIONS BY HAVELOCK ELLIS LONDON: WALTER SCOTT, LIMITED PATERNOSTER SQUARE 1898 PREFACE. THERE are at least two ways of looking at books and at the personalities books express. In its chief but rarer aspect literature is the medium of art, and as such can raise no ethical problems. Whatever morality or immorality art may hold is quiescent, or lifted into an atmosphere of radiant immortality where questioning is irrelevant. Of the literature that is all art we need not even speak, unless by chance we too approach it as artists, trying to grasp it by imaginative insight. In literature, as elsewhere, art should only be approached as we would approach Paradise, for the sake of its joy. It would be well, indeed, if we could destroy or forget all that has ever been written about the world’s great books, even if it were once worth while to write those books about books. How happy, for instance, the world might be if there were no literature about the Bible, if Augustine and Aquinas and Calvin and thousands of smaller men had not danced on it so long, stamping every page of it into mire, that now the vision of a single line, in its simple sense, is almost an effort of inspiration. All my life long I have been casting away the knowledge I have gained from books about literature, and from opinions about life, and coming to literature itself or to life itself, a slow and painful progress towards that Heaven of knowledge where a child is king. But there is another kind of literature, a literature which is not all art--the literature of life. Literature differs from design or music by being closer to life, by being fundamentally not an art at all, but merely the development of ordinary speech, only rising at intervals into the region of art. It is so close to life that largely it comes before us much as the actual facts of life come before us. So that while we were best silent about the literature of art, sanctified by time and the reverence of many men, we cannot question too keenly the literature of life. In this book I deal with questions of life as they are expressed in literature, or as they are suggested by literature. Throughout I am discussing morality as revealed or disguised by literature. I may not care, indeed, to pervert my subjects in order to emphasise my opinions, but I frankly take my subjects chiefly on those sides which suit my own pleasure, and I select them solely because they do that so well. I use them as the ancient device of the stalking-horse was used, to creep up more closely to the game that my soul loves best.