To write down one's name at the door of these "exiles," as Daudet calls
them, of these tumble-down Princes, as others would say, creates a
constant, delicate, absorbing and engrossing occupation. The visitor's
book lies open in the hall between a couple of lackeys, one of whom
proffers a pen. One inscribes one's name at the tag end of some two
thousand names of every sort and description, amongst which titles
swarm and the noble particle _de_ abounds! After which, one goes off
with the haughty air of a man just ennobled, as happy as one who
has accomplished a sacred duty, and one proudly says to the first
person met: "I have just written down my name at the Grand Duke of
Gerolstein's!" Then in the evening at dinner one says, in an important
tone: "I noticed just now, on the Grand Duke of Gerolstein's list, the
names of X..., Y..., and Z..." And everyone is interested and listens
as if the event were of the greatest importance.
[Illustration 012]
But why laugh and be astonished at the harmless and innocent mania of
the elegant admirers of Princes, when we meet in Paris fifty different
races of hero-worshippers who are in no wise less amusing.
[Illustration 013]
Whoever has a salon must needs have some celebrities to show there, and
a hunt is organised in order to secure them. There is hardly a woman
in society and of the best, who is not anxious to have her artist or
her artists; and she will give dinners for them in order that the whole
world may know that her's is a clever set.
Between affecting to possess the wit one has not, but which one summons
with a flourish of trumpets, or affecting Princely intimacies--where is
the difference?
Among the great men most sought after by women, old and young, are
most assuredly musicians. Some houses possess a complete collection
of them. Moreover, these artists possess the inestimable advantage
of being useful in the evening parties. However, people who desire a
superlative _rara avis,_ can hardly hope to bring two together in the
same room. We may add that there is not a meanness of which any woman,
a leader of society, is not capable, in order to embellish her salon
with a celebrated composer. The delicate attentions usually employed to
secure a painter or only a literary man, become quite inadequate when
the subject is a tradesman of sounds. For him allurements and praise
hitherto unknown are employed. His hands are kissed like those of a
King, he is worshipped as a God, when he has deigned to execute his
_Regina Coeli._ A hair of his beard is worn in a ring; a button fallen
from his breeches one evening in a violent movement of his arm, during
the execution of the grand finale of his _Doux Repos,_ becomes a medal,
a sacred medal worn in the bosom hanging from a golden chain.
Public-domain text, read in full here on John Shaqi.
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