As in the low Northern plains, where the springs ooze out under the
feet, running over and vivifying the earth like blood, the clear, cold
blood of the soil; so here, we find again the same strange sensation of
exuberant nature which floats over all damp countries.
Birds, with long legs dangling as they fly, spring up from amongst
the reeds, stretching their pointed beaks heavenwards; while others,
broad-winged and slow, pass from one bank to another with heavy
flight, and others, smaller and more rapid, skim along the surface
of the river, darting forward like rebounding pebbles. Innumerable
turtle-doves cooing on the heights, or wheeling about, fly from tree
to tree, and seem to exchange messages of love. One feels a sensation
that all around this deep water, throughout all this plain, up to the
foot of the mountains, there is yet more water; the deceitful water
of the marsh, sleeping yet living; broad clear sheets, in which the
skies are mirrored, over which the clouds flit by; in which, widely
scattered, all manner of strange rushes spring up; the fertile limpid
water, full of rotting life and deathly fermentation; water breeding
fever and miasma, at the same time food and poison, spreading itself
out in attractive loveliness, over the mysterious mass of putrefaction
beneath it. The atmosphere is delightful, relaxing and dangerous. Over
all the banks which separate the vast still pools, amid all the thick
grasses, swarms, crawls, jumps, and creeps a whole world of slimy,
repugnant, cold-blooded animals. I love those cold, subtle animals that
are generally avoided and dreaded; for me there is something sacred
about them.
[Illustration 045]
At the hour of sunset the marsh intoxicates and excites me. After
having been all day a silent pond lying hushed in the heat, it becomes
at the moment of twilight, a fairy-like and enchanted country. In
its calm and boundless depths the skies are mirrored: skies of gold,
skies of blood, skies of fire; they sink in it, bathe in it, float and
are drowned in it. They are there up above, in the immensity of the
firmament, and they are there below, beneath us, so near and yet so
completely beyond our touch, in that shallow pool, through which the
pointed grasses push their way like bristling hairs. All the colour
with which earth has been endowed, charming, varied, and enthralling,
appears to us deliciously painted, admirably resplendent, and
infinitely shaded around a single leaf of the water-lily. Every shade
of red, rose, yellow, blue, green, and violet are there, in a little
patch of water which shows us the heavens, and space, and dreamland,
and the flight of the birds as they skim across its face. And then
there is still something else,--I know not what,--in the marshes
beheld in the setting sun. I feel therein a confused revelation of
some unknown mystery, an original breath of primeval life, which is,
perhaps, nothing more than the bubble of gas rising from a swamp at the
fall of day.
Public-domain text, read in full here on John Shaqi.
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