This bears a peculiar stamp. In the midst of a forest of fir trees stretching down to the sea, wide roads are laid out in every direction. There is not a house, nothing but the barely indicated plan of the streets, running through the trees. Here are the squares, the cross-roads and the boulevards. The names are even written up on metal tablets: Boulevard Ruysdaël, Boulevard Rubens, Boulevard Van Dyck, Boulevard Claude Lorrain. One wonders at all these painters' names. Why indeed? Simply because the _Company_ has decided, like God before he lit the sun: "This shall be an artists' resort!" The _Company!_ No one knows in the rest of the world, all this word contains of hopes, dangers, money gained, and money lost on the Mediterranean shores! The _Company!_ fatal and mysterious word, deep and deceitful! [Illustration 047] In this instance however the _Company_ seems to have realized its expectations, for it has already found purchasers, and of the best, amongst artists. At various places one reads: "Building lot bought by M. Carolus Duran; another by M. Clairin, another by Mlle. Croizette, etc." Nevertheless--Who can tell? The Mediterranean Companies are not in luck just now. Nothing is more ludicrous than this fury of speculation, which generally ends in terrible failures. Whosoever has gained ten thousand francs (four hundred pounds) over his field, at once buys ten millions (four hundred thousand pounds) worth of land at twenty sous (ten pence) the metre, in order to sell it again at twenty francs (sixteen shillings). Boulevards are traced, water is conveyed, gasworks are prepared, and the purchaser is hopefully expected. The purchaser does not make his appearance, but instead of him---ruin. Far off in front of me I perceive the towers and the buoys, that mark the breakers on both sides, at the opening of the gulf of Saint-Tropez. The first tower is called "Tour des Sardinaux," and marks a regular shoal of rocks, level with the top of the water, some of which just show the tips of their brown heads; the second one has been christened "Balise de la Sèche à l'huile."[1] We now reach the entrance of the gulf, which extends back between two ridges of mountains and forests as far as the village of Grimaud, built at the very extremity, on a height. The ancient castle of Grimaldi, a tall ruin that overlooks the village, appears in the distant haze like the evocation of some fairy scene. The wind has fallen. The gulf looks like an immense calm lake, into which, taking advantage of the last puffs of the squall, we slowly make our way. To the right of the channel, Sainte-Maxime, a little white port, is mirrored in the water which reflects the houses topsy-turvy, and reproduces them as distinctly as on shore. Opposite, Saint-Tropez appears, guarded by an old fort.