Never, I thought, had I seen a lovelier village with its old picturesque
cottages shaded by ancient oaks and elms, and the great church with its
stately tower looking dark against the luminous western sky. Dismounting
again I stood for some time admiring the scene, wishing that I could
make that village my home for the rest of my life, conscious at the same
time that is was the mood, the season, the magical hour which made it
seem so enchanting. Presently a young man, the first human figure that
presented itself to my sight, appeared, mounted on a big carthorse and
leading a second horse by a halter, and rode down into the pool to bathe
the animals' legs and give them a drink. He was a sturdy-looking young
fellow with a sun-browned face, in earth-coloured, working clothes,
with a small cap stuck on the back of his round curly head; he probably
imagined himself not a bad-looking young man, for while his horses were
drinking he laid over on the broad bare backs and bending down studied
his own reflection in the bright water. Then an old woman came out of a
cottage close by, and began talking to him in her West Country dialect
in a thin high-pitched cracked voice. Their talking was the only sound
in the village; so silent was it that all the rest of its inhabitants
might have been in bed and fast asleep; then, the conversation ended,
the young man rode out with a great splashing and the old woman turned
into her cottage again, and I was left in solitude.
Still I lingered: I could not go just yet; the chances were that I
should never again see that sweet village in that beautiful aspect at
the twilight hour.
Public-domain text, read in full here on John Shaqi.
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