We know that there cannot be progression without retrogression, or gain
with no corresponding loss; and often on my wheel, when flying along
the roads at a reckless rate of very nearly nine miles an hour, I have
regretted that time of limitations, galling to me then, when I was
compelled to go on foot. I am a walker still, but with other means of
getting about I do not feel so native to the earth as formerly. That is
a loss. Yet a poorer walker it would have been hard to find, and on even
my most prolonged wanderings the end of each day usually brought extreme
fatigue. This, too, although my only companion was slow--slower than the
poor proverbial snail or tortoise--and I would leave her half a mile
or so behind to force my way through unkept hedges, climb hills, and
explore woods and thickets to converse with every bird and shy little
beast and scaly creature I could discover. But mark what follows. In the
late afternoon I would be back in the road or footpath, satisfied to
go slow, then slower still, until--the snail in woman shape would be
obliged to slacken her pace to keep me company, and even to stand still
at intervals to give me needful rest.
But there were compensations, and one, perhaps the best of all, was that
this method of seeing the country made us more intimate with the people
we met and stayed with. They were mostly poor people, cottagers in small
remote villages; and we, too, were poor, often footsore, in need of
their ministrations, and nearer to them on that account than if we
had travelled in a more comfortable way. I can recall a hundred little
adventures we met with during those wanderings, when we walked day after
day, without map or guide-book as our custom was, not knowing where the
evening would find us, but always confident that the people to whom it
would fall in the end to shelter us would prove interesting to know and
would show us a kindness that money could not pay for. Of these hundred
little incidents let me relate one.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account