And on we go, fast, fast! down the road, across the lea, past the workhouse, along by the great pond, till we slide into the deep narrow lane, whose hedges seem to meet over the water, and win our way to the little farmhouse at the end. "Through the farmyard, Lizzie; over the gate; never mind the cows; they are quiet enough." "I don't mind 'em," said Miss Lizzie, boldly and' truly, and with a proud affronted air, displeased at being thought to mind anything, and showing by her attitude and manner some design of proving her courage by an attack on the largest of the herd, in the shape of a pull by the tail. "I don't mind 'em." "I know you don't, Lizzie; but let them, alone and don't chase the turkey-cock. Come to me, my dear!" and, for wonder, Lizzie came. In the meantime my other pet, Mayflower, had also gotten into a scrape. She had driven about a huge unwieldy sow, till the animal's grunting had disturbed the repose of a still more enormous Newfoundland dog, the guardian of the yard. The beautiful white greyhound's mocking treatment of the surly dog on the chain then follows, and other pretty scenes and adventures, until after some mishaps and much trouble the cowslip ball is at length completed. What a concentration of fragrance and beauty it was! Golden and sweet to satiety! rich in sight, and touch, and smell! Lizzie was enchanted, and ran off with her prize, hiding amongst the trees in the very coyness of ecstasy, as if any human eye, even mine, would be a restraint on her innocent raptures. Here the very woman is revealed to us, her tender and lively disposition, her impulsiveness and childlike love of fun and delight in everything on earth. We see in such a passage what her merit really is, the reason of our liking or "partiality" for her. Her pleasure in everything makes everything interesting, and in displaying her feeling without art or disguise she succeeds in giving what we may call a literary expression to personal charm--that quality which is almost untranslatable into written words. Many women possess it; it is in them and issues from them, and is like an essential oil in a flower, but too volatile to be captured and made use of. Furthermore, women when they write are as a rule even more conventional than men, more artificial and out of and away from themselves. I do not know that any literary person will agree with me; I have gone aside to write about Miss Mitford mainly for my own satisfaction. Frequently when I have wanted to waste half an hour pleasantly with a book I have found myself picking up "Our Village" from among many others, some waiting for a first perusal, and I wanted to know why this was so--to find out, if not to invent, some reason for my liking which would not make me ashamed.