I recall the time when I lived on a vast vacant level green plain,
an earth which to the eye, and to the mind which sees with the eye,
appeared illimitable, like the ocean; where the house I was born in was
the oldest in the district--a century old, it was said; where the people
were the children's children of emigrants from Europe who had conquered
and colonized the country, and had enjoyed but half a century of
national life. But the people who had possessed the land before these
emigrants--what of them? They, were but a memory, a tradition, a story
told in books and hardly more to us than a fable; perhaps they had dwelt
there for long centuries, or for thousands of years; perhaps they had
come, a wandering horde, to pass quickly away like a flight of migrating
locusts; for no memorial existed, no work of their hands, not the
faintest trace of their occupancy.
Walking one day at the side of a ditch, which had been newly cut through
a meadow at the end of our plantation, I caught sight of a small black
object protruding from the side of the cutting, which turned out to be
a fragment of Indian pottery made of coarse clay, very black, and rudely
ornamented on one side. On searching further a few more pieces were
found. I took them home and preserved them carefully, experiencing
a novel and keen sense of pleasure in their possession; for though
worthless, they were man's handiwork, the only real evidence I had come
upon of that vanished people who had been before us; and it was as if
those bits of baked clay, with a pattern incised on them by a man's
finger-nail, had in them some magical property which enabled me to
realize the past, and to see that vacant plain repeopled with long dead
and forgotten men.
Public-domain text, read in full here on John Shaqi.
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