“My brother has just returned to his studio; has found a morsel of the plaster I used for the mold sticking in the hair of the statue; and has asked me, as the person left in charge of his work-rooms, for an explanation. Such an explanation as I could offer has not satisfied him, and he talks of making further inquiries. Considering that it will be used no more, I think it safest to destroy the wax mask, and I asked you to bring it here, that I might see it burned or broken up with my own eyes. Now you know all you wanted to know; and now, therefore, it is my turn to remind you that I have not yet had a direct answer to the first question I addressed to you when we met here. Have you brought the wax mask with you, or have you not?” “I have not.” “And why?” Just as that question was put, Nanina felt the dog dragging himself free of her grasp on his mouth. She had been listening hitherto with such painful intensity, with such all-absorbing emotions of suspense, terror, and astonishment, that she had not noticed his efforts to get away, and had continued mechanically to hold his mouth shut. But now she was aroused by the violence of his struggles to the knowledge that, unless she hit upon some new means of quieting him, he would have his mouth free, and would betray her by a growl. In an agony of apprehension lest she should lose a word of the momentous conversation, she made a desperate attempt to appeal to the dog’s fondness for her, by suddenly flinging both her arms round his neck, and kissing his rough, hairy cheek. The stratagem succeeded. Scarammuccia had, for many years past, never received any greater marks of his mistress’s kindness for him than such as a pat on the head or a present of a lump of sugar might convey. His dog’s nature was utterly confounded by the unexpected warmth of Nanina’s caress, and he struggled up vigorously in her arms to try and return it by licking her face. She could easily prevent him from doing this, and could so gain a few minutes more to listen behind the summer-house without danger of discovery. She had lost Brigida’s answer to Father Rocco’s question; but she was in time to hear her next words. “We are alone here,” said Brigida. “I am a woman, and I don’t know that you may not have come armed. It is only the commonest precaution on my part not to give you a chance of getting at the wax mask till I have made my conditions.” “You never said a word about conditions before.” “True. I remember telling you that I wanted nothing but the novelty of going to the masquerade in the character of my dead enemy, and the luxury of being able to terrify the man who had brutally ridiculed me in old days in the studio. That was the truth. But it is not the less the truth that our experiment on Count Fabio has detained me in this city much longer than I ever intended, that I am all but penniless, and that I deserve to be paid. In plain words, will you buy the mask of me for two hundred scudi?”