Diary fiction; England -- Social life and customs -- 19th century -- Fiction; Mystery fiction; Short stories, English
“I have not twenty scudi in the world, at my own free disposal.”
“You must find two hundred if you want the wax mask. I don’t wish to
threaten--but money I must have. I mention the sum of two hundred scudi,
because that is the exact amount offered in the public handbills by
Count Fabio’s friends for the discovery of the woman who wore the yellow
mask at the Marquis Melani’s ball. What have I to do but to earn that
money if I please, by going to the palace, taking the wax mask with me,
and telling them that I am the woman. Suppose I confess in that way;
they can do nothing to hurt me, and I should be two hundred scudi the
richer. You might be injured, to be sure, if they insisted on knowing
who made the wax model, and who suggested the ghastly disguise--”
“Wretch! do you believe that my character could be injured on the
unsupported evidence of any words from your lips?”
“Father Rocco, for the first time since I have enjoyed the pleasure of
your acquaintance, I find you committing a breach of good manners. I
shall leave you until you become more like yourself. If you wish to
apologize for calling me a wretch, and if you want to secure the wax
mask, honor me with a visit before four o’clock this afternoon, and
bring two hundred scudi with you. Delay till after four, and it will be
too late.”
An instant of silence followed; and then Nanina judged that Brigida must
be departing, for she heard the rustling of a dress on the lawn in
front of the summer-house. Unfortunately, Scarammuccia heard it too. He
twisted himself round in her arms and growled.
The noise disturbed Father Rocco. She heard him rise and leave the
summer-house. There would have been time enough, perhaps, for her
to conceal herself among some trees if she could have recovered her
self-possession at once; but she was incapable of making an effort to
regain it. She could neither think nor move--her breath seemed to die
away on her lips--as she saw the shadow of the priest stealing over the
grass slowly from the front to the back of the summer-house. In another
moment they were face to face.
He stopped a few paces from her, and eyed her steadily in dead silence.
She still crouched against the summer-house, and still with one hand
mechanically kept her hold of the dog. It was well for the priest that
she did so. Scarammuccia’s formidable teeth were in full view, his
shaggy coat was bristling, his eyes were starting, his growl had changed
from the surly to the savage note; he was ready to tear down, not Father
Rocco only, but all the clergy in Pisa, at a moment’s notice.
“You have been listening,” said the priest, calmly. “I see it in your
face. You have heard all.”
She could not answer a word; she could not take her eyes from him.
There was an unnatural stillness in his face, a steady, unrepentant,
unfathomable despair in his eyes that struck her with horror. She
would have given worlds to be able to rise to her feet and fly from his
presence.
Public-domain text, read in full here on John Shaqi.
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