Diary fiction; England -- Social life and customs -- 19th century -- Fiction; Mystery fiction; Short stories, English
No object that was at all extraordinary appeared in any part of it. The
Sub-prefect looked round the place, commanded everybody to be silent,
stamped twice on the floor, called for a candle, looked attentively
at the spot he had stamped on, and ordered the flooring there to be
carefully taken up. This was done in no time. Lights were produced, and
we saw a deep raftered cavity between the floor of this room and
the ceiling of the room beneath. Through this cavity there ran
perpendicularly a sort of case of iron thickly greased; and inside the
case appeared the screw, which communicated with the bed-top below.
Extra lengths of screw, freshly oiled; levers covered with felt; all
the complete upper works of a heavy press--constructed with infernal
ingenuity so as to join the fixtures below, and when taken to pieces
again, to go into the smallest possible compass--were next discovered
and pulled out on the floor. After some little difficulty the
Sub-prefect succeeded in putting the machinery together, and, leaving
his men to work it, descended with me to the bedroom. The smothering
canopy was then lowered, but not so noiselessly as I had seen it
lowered. When I mentioned this to the Sub-prefect, his answer, simple
as it was, had a terrible significance. “My men,” said he, “are working
down the bed-top for the first time--the men whose money you won were in
better practice.”
We left the house in the sole possession of two police agents--every
one of the inmates being removed to prison on the spot. The Sub-prefect,
after taking down my _“proces verbal”_ in his office, returned with me
to my hotel to get my passport. “Do you think,” I asked, as I gave it to
him, “that any men have really been smothered in that bed, as they tried
to smother _me?_”
“I have seen dozens of drowned men laid out at the Morgue,” answered the
Sub-prefect, “in whose pocket-books were found letters stating that they
had committed suicide in the Seine, because they had lost everything
at the gaming table. Do I know how many of those men entered the same
gambling-house that _you_ entered? won as _you_ won? took that bed as
_you_ took it? slept in it? were smothered in it? and were privately
thrown into the river, with a letter of explanation written by the
murderers and placed in their pocket-books? No man can say how many or
how few have suffered the fate from which you have escaped. The people
of the gambling-house kept their bedstead machinery a secret from
_us_--even from the police! The dead kept the rest of the secret for
them. Good-night, or rather good-morning, Monsieur Faulkner! Be at my
office again at nine o’clock--in the meantime, _au revoir!_”
Public-domain text, read in full here on John Shaqi.
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