My introduction to this gentleman, in my capacity of portrait-painter, did not promise much for me in a professional point of view. I was invited to Rockleigh--or to “The Place,” as it was more frequently called among the people of the county--to take a likeness in water-colors, on a small scale, of the French governess who lived with Mr. Lanfray’s daughters. My first idea on hearing of this was, that the governess was about to leave her situation, and that her pupils wished to have a memorial of her in the shape of a portrait. Subsequent inquiry, however, informed me that I was in error. It was the eldest of Mr. Lanfray’s daughters, who was on the point of leaving the house to accompany her husband to India; and it was for her that the portrait had been ordered as a home remembrance of her best and dearest friend. Besides these particulars, I discovered that the governess, though still called “mademoiselle,” was an old lady; that Mr. Lanfray had been introduced to her many years since in France, after the death of his wife; that she was absolute mistress in the house; and that her three pupils had always looked up to her as a second mother, from the time when their father first placed them under her charge. These scraps of information made me rather anxious to see Mademoiselle Clairfait, the governess. On the day appointed for my attendance at the comfortable country house of Rockleigh, I was detained on the road, and did not arrive at my destination until late in the evening. The welcome accorded to me by Mr. Lanfray gave an earnest of the unvarying kindness that I was to experience at his hands in after-life. I was received at once on equal terms, as if I had been a friend of the family, and was presented the same evening to my host’s daughters. They were not merely three elegant and attractive young women, but--what means much more than that--three admirable subjects for pictures, the bride particularly. Her young husband did not strike me much at first sight; he seemed rather shy and silent. After I had been introduced to him, I looked round for Mademoiselle Clairfait, but she was not present; and I was soon afterward informed by Mr. Lanfray that she always spent the latter part of the evening in her own room. At the breakfast-table the next morning, I again looked for my sitter, and once more in vain. “Mamma, as we call her,” said one of the ladies, “is dressing expressly for her picture, Mr. Kerby. I hope you are not above painting silk, lace, and jewelry. The dear old lady, who is perfection in everything else, is perfection also in dress, and is bent on being painted in all her splendor.” This explanation prepared me for something extraordinary; but I found that my anticipations had fallen far below the reality when Mademoiselle Clairfait at last made her appearance, and announced that she was ready to sit for her portrait.