When the death determined by destiny occurred, the soul escaped from the
body in which it was captive but kept its bodily form and appearance,
and this simulacrum (εἴδωλον) appeared to men in dreams and after
evocations. According to some Pythagoreans, this subtle form was
distinct from the soul (ψυχή), which ascended immediately to the higher
spheres. Others believed that, like a light garment, it wrapped the
soul, which was for some time constrained to dwell here below.[67] After
this shade had remained beside the body or somewhere near the tomb for a
certain number of days, it rose in the atmosphere in which contended
winds, water and fire, and was purified by the elements. This zone, the
lowest circle of the world, was what fable had called hell (_Inferi_),
and it was of this passage from one circle to that next it that poets
spoke when they told of the Styx and Charon’s boat.[68] When the soul
had been purified it was borne, uplifted by the winds, to the sphere of
the moon. Here lay the boundary of life and death, the limit which
divided the residence of the immortals, where all was harmony and
purity, from the corrupt and troubled empire of generation. Thus the
luminary of the night was the first dwelling of the Blessed, and there
lay the Elysian Fields of the poets, Proserpina’s kingdom where rest the
shades. And the Fortunate Islands, of which the ancients sung, were no
other than the sun and the moon, celestial lands bathed by the waters of
the ether.[69]
The shade remained in the moon or was dissolved there, and pure reason
rose to the sun whence it came forth, or even reached the summit of the
heavens where reigned the Most High. A helpful escort, called by
mythology Hermes the Soul-Guide, or _psychopompos_, led the elect to
these Olympian peaks. There they regained their true country, and as
birth had been to them a death, so their death was their rebirth. They
enjoyed the contemplation of the luminous gods. They were rapt by the
ravishing tune of the harmony of the spheres, that divine melody of
which earthly music is but a feeble echo.[70]
Public-domain text, read in full here on John Shaqi.
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