United States -- History -- Civil War, 1861-1865 -- Drama
Another thousand of Maine's boys marching down into Dixie. Bless their
dear hearts! If this keeps on much longer, there will be none left for
the hopeful Down-East girls and full-blown spinsters, whose natural
expectations are warm corners in the hearts of these brave heroes.
What a queer lot of men. Some have left their sweethearts behind them,
I suppose. Heigho! There's no one to leave me behind. When I think
of the good times Down East, it just makes my mouth water. I'd give
a week's wages to catch a glimpse of some familiar face. (_Coming
down._) I wish I were a man. Nothing I'd like better than to join
those ranks and march with them; but here I must stay and dust chairs
(_dusts spitefully_) and tables. I know the military tic-tacs—no,
that isn't right. I mean tactics. (_Executes manual with duster._)
Present—arms—no—feathers. Order—feathers. Indeed, I'd like to,
for my next winter's bonnet, if there were only some one to pay the
bill. Right shoulder, feathers. (_Carries duster to left, in place of
right._) Ha, ha, if any one could see me now, they would take me for a
condensed, awkward squad. (_Music outside._ POLLY _marches up and down
with duster at right shoulder_.) I can feel the military thrill down to
the tips of my toes. Think of the excitement when the bugle calls, and
you hear the cry, “Charge feathers—charge!” (_Charges with duster at
door_ C., _into the face of_ BIJAH BRIGHT, _who appears with flag; he
is bespattered with mud_.)
BIJAH. Phew! pooh—ah, choh! (_Sneezes._) What are you trying to
do, smother a fellow? Giving us the great Othello act, with me as
Desdemona! (_Looks at_ POLLY.) Why, no!—yes, it is, Polly—Polly
Primrose.
POLLY. Bijah Bright! Well, I declare!
BIJAH (_taking both of_ POLLY'S _hands_). Why, the sight of you is good
for a pair of diseased optics.
POLLY. But why are you here in this house?
BIJAH. It must have been the magnetism of your bright eyes, Polly.
When I was marching along, I felt so drawn towards this house, sez
I to myself, sez I, here, Bijah, is the place to find rest for your
weary bones, and rations for an aching void. And, behold, I find you,
my long-lost treasure. (_Tries to embrace_ POLLY, _who steps aside_.)
Ah, Polly Primrose, the way you've played tag with that vital organ of
my being, the heart that beats for you alone, would frighten any other
man, but I've jest made up my mind,—
“A sweetheart's a sweetheart,
As all the world knows,
And Polly's my Polly,
Wherever she goes.”
POLLY. Don't be so sure of that, Mr. Bright. Don't flatter yourself
that you are the only man that calls me, “My Polly.”
BIJAH. Let me but find him. He'll wish he hadn't been born.
POLLY (_laughing_). Same Bijah Bright. Don't be worried
(_coquettishly_), for I think you will find me the same Polly.
BIJAH (_taking both her hands_). Wal, now, that's something like. When
the temperature of your society is at zero, it makes my very blood
congeal.
POLLY. Where did you come from?
Public-domain text, read in full here on John Shaqi.
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