The air was sharp; the wind was blowing in gusts, tearing the first dead
leaves from the trees. Aunt Martina, struggling against it, felt more
anxious and depressed even than when she came. It seemed as though that
chill, autumn wind that shook and lashed and tore her, were tearing and
lashing her spirit as well. The presentiments of evil that she had
spoken of as haunting her, were stronger than ever. Passing a certain
wretched little hovel, more forlorn and poverty-stricken than any of the
others, she shot a keen glance at it, and then quickly lowered her eyes,
as though in dread lest some invisible being should read the dark
thought of her soul. The owner of this hovel, a poor peasant, had come
to her some time before, and had asked her to lend him some money. "Lend
it to you!" she had exclaimed derisively. "And how do you propose to
repay it?" "If I can't pay you back in money," the man had replied,
"there may be some other way of showing my gratitude. You could require
any service at all of me."
She understood what he meant. He was ready to undertake anything, even
the commission of a crime, in order to get the money he needed. But she
had not wanted anything, and so had sent him off. Now, passing the
forlorn little house, rapidly falling into ruins, through the darkness
and wind, and melancholy of the night, she saw again before her the
gaunt, resolute figure of this man; his hollow, sunken eyes; his lips,
white from hunger; his dark, bony hands, ready for any act by which he
might hope to snatch a little ease and comfort out of life; and the
horrible schemes of vengeance that were tearing at her selfish old heart
began to take a fearful and well-defined shape.
Thus she passed on. A dark, forbidding form, enveloped in her black
_tunic_, swept by the wind past that wretched hovel like a shadowy
portent of evil.
* * * * *
That same evening Uncle Isidoro reasoned with Costantino at length,
urging him by every argument at his command to avert what otherwise must
inevitably result in a catastrophe for himself, for Giovanna, and for
every one concerned.
Costantino regarded the old man steadily with his usual melancholy
smile. "What," he demanded, "could happen? You admit yourself that the
old harpy will never talk to her son. And--isn't she my wife, Giovanna?
Haven't I a perfect right to be with her whenever I choose?"
"Ah, child of the Lord," sighed Uncle Isidoro, clasping his hands and
shaking his head, "you will be made to suffer for it in some way; you
had better look out: Martina Dejas is capable of anything where her son
is concerned."
A look of hatred came into Costantino's eyes.
Public-domain text, read in full here on John Shaqi.
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