"Listen," he said; "my heart is like a vessel full of deadly poison; a
single drop more and it will overflow. Let them look out who have
brought all this on themselves." Then he got up and went out into the
night. For hours he wandered aimlessly about, like one who had lost his
way, in the wind-swept solitude. Then, about midnight, he found himself,
almost without knowing how he got there, as on that first evening,
beneath Giovanna's window. He climbed on the shed and tapped.
Aunt Martina, lying wakeful and alert, heard everything; heard
Costantino approach, heard his knock, heard Giovanna open to him; and
then she knew it was hopeless. Without doubt Isidoro had faithfully
reported his conversation with her, and this was Costantino's reply: he
had come directly and defiantly to Giovanna. "No doubt," thought the old
woman bitterly, "he argues that since old Martina lacks the courage to
make her son unhappy by telling him the truth, he may as well profit by
her weakness. Yes; no doubt that is what he thinks. But, he has
forgotten to take account of what the poor old mother may be stirred up
to do in order to protect her boy! Now, Costantino Ledda, it is between
us two!"
One night as Costantino slid down from the shed beneath Giovanna's
window, he felt something cold and sharp enter his side; in the darkness
he made out the figure of a man, his face covered with a black cloth. He
threw himself upon him, and after a brief struggle, breathless, silent,
determined, he succeeded in throwing him down and disarming him. Then he
let him go without so much as attempting to identify him. What did it
signify who the assassin was? Behind that black mask he knew only too
well that Aunt Martina's gaunt features looked out, and that it was her
hand that had directed the murderous stroke.
He made his way back to Isidoro's hut, and, the fisherman being absent
on one of his journeys, dressed the wound himself, hiding away like a
stricken animal, and concealing what had happened from every one. He did
not even undress, but for three days and nights lay stretched on his
pallet, a prey to the bitterest reflections.
The weather had become cold; outside, the wind whistled among the dry
hedges, and, forcing its way into the hut, made the long threads of
cobweb swing back and forth, and brought down clouds of dust from the
roof. Through the window Costantino could see processions of pale blue
clouds scudding across the cold, bright background of the sky; and he
said to himself that he wanted to die.
Death, death, what else remained for him? The world--his world--was now
only a cold and empty void.
Public-domain text, read in full here on John Shaqi.
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