At the end of that volume are translations by Major Frye of several Northern poems--in German, Italian and English verse--from the Danish and the Swedish; then come two sonnets in French verse, the one in honour of Lafayette, the other about the Duke of Orléans, whose premature death he compares with that of the Northern hero of the Edda, Balder. A part of Frye's translation of the Edda, before appearing in book form, had been published in _l'Echo de la Littérature et des Beaux Arts_, a periodical edited by the Major's friend, M. de Belenet. Frye loved poetry, though his ideas on the subject were rather those of the eighteenth century than our own. It is interesting to find an English officer reading Voltaire, Gessner, Ariosto, and quoting them from memory (which explains that some of his quotations had to be corrected). The sentimental vein of Rousseau's generation still flows and vibrates in him, as when he says that he has never been able to read the letters of Wolmar to St Preux in Rousseau's _Nouvelle Héloïse_ without shedding tears. German minor poetry, now quite forgotten, attracted him almost as much as the great pages of Schiller, Bürger, and Goethe. The Misses G. possess a manuscript translation in three volumes, in the Major's own hand, of Wieland's _Agathodemon_ done into English. This he evidently intended to publish, as he had written the title-page which is worded as follows: "Agathodemon, a philosophical romance translated from the German of Wieland by W.E. Frye, member of the Academy degli Arcadi in Rome, and of the Royal Society of Northern Antiquarians of Copenhagen, ex-major of infantry in His British Majesty's service." Frye describes with accuracy, and shows much appreciation of fine scenery and architecture. His judgements in painting and sculpture are sincere, though often betraying the autodidact and amateur. He loved music, especially Rossini's operas which were then beginning their long career of triumph. Theatricals of all sorts, especially ballets, had a great attraction for him and elicited his enthusiastic comments. In comparing tragedies and comedies which he had seen performed in different countries, he gave repeated proofs of his knowledge and critical insight. We can take him as a good example of that intelligent class of English travellers whose intercourse with the Continental _litterati_ has so well contributed to establish the good reputation of British culture and refined appreciation of the arts.