As for me, Georgiana requires that I shall be a good deal like an old rock jutting out of the quiet earth: never ruffled, never changing either on the surface or at heart, bearing whatever falls upon me, be it frost or sun, and warranted to waste away only by a sort of impersonal disintegration at the rate of half an inch to the thousand years. Meantime she exacts for herself the privilege of dwelling near as the delighted cave of the winds. The part of wisdom in me then is not to heed each sallying gust, but to capture the cave and drive the winds away. For I know in whom I have believed; I know that this myriad caprice is but the deepening of excitement on the verge of captivity; I know that on ahead lie the regions of perpetual calm--my Islands of the Blest. Georgiana does not play upon the pianoforte; or, as Mrs. Walters would declare, she does not perform upon the instrument. Sylvia does; she performs, she executes. There are times when she will execute a piece called "The Last Hope" until the neighbors are filled with despair and ready to stretch their heads on the block to any more merciful executioner. Nor does Georgiana sing to company in the parlor. That is Sylvia's gift; and upon the whole it was this unmitigated practice in the bosom--and in the ears--of her family that enabled Sylvia to shine with such vocal effulgence in the procession on the last Fourth of July and devote a pair of unflagging lungs to the service of her country. But Georgiana I have never known to sing except at her sewing and alone, as the way of women often is. During a walk across the summer fields my foot has sometimes paused at the brink of a silvery runlet, and I have followed it backward in search of the spring. It may lead to the edge of a dark wood; thence inward deeper and deeper; disappearing at last in a nook of coolness and shadow, green leaves and mystery. The overheard rill of Georgiana's voice issues from inner depths of being that no human soul has ever visited, or perhaps will ever visit. What would I not give to thread my way, bidden and alone, to that far region of uncaptured loveliness? Of late some of the overhead lullabies have touched me inexpressibly. They beat upon my ear like the musical reveries of future mother hood--they betoken in Georgiana's maidenhood the dreaming unrest of the maternal. One morning not long ago, with a sort of pitiful gayety, her song ran in the wise of saying how we should gather our rose-buds while we may. The warning could not have been addressed to me; I shall gather mine while I may--the unrifled rose of Georgiana's life, body and spirit.