Aesthetics -- Fiction; French fiction -- Translations into English
AGAINST THE GRAIN
by
Joris-Karl Huysmans
Translated by John Howard
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 1
The Floressas Des Esseintes, to judge by the various portraits
preserved in the Chateau de Lourps, had originally been a family of
stalwart troopers and stern cavalry men. Closely arrayed, side by
side, in the old frames which their broad shoulders filled, they
startled one with the fixed gaze of their eyes, their fierce
moustaches and the chests whose deep curves filled the enormous shells
of their cuirasses.
These were the ancestors. There were no portraits of their descendants
and a wide breach existed in the series of the faces of this race.
Only one painting served as a link to connect the past and present--a
crafty, mysterious head with haggard and gaunt features, cheekbones
punctuated with a comma of paint, the hair overspread with pearls, a
painted neck rising stiffly from the fluted ruff.
In this representation of one of the most intimate friends of the Duc
d'Epernon and the Marquis d'O, the ravages of a sluggish and
impoverished constitution were already noticeable.
It was obvious that the decadence of this family had followed an
unvarying course. The effemination of the males had continued with
quickened tempo. As if to conclude the work of long years, the Des
Esseintes had intermarried for two centuries, using up, in such
consanguineous unions, such strength as remained.
There was only one living scion of this family which had once been so
numerous that it had occupied all the territories of the Ile-de-France
and La Brie. The Duc Jean was a slender, nervous young man of thirty,
with hollow cheeks, cold, steel-blue eyes, a straight, thin nose and
delicate hands.
By a singular, atavistic reversion, the last descendant resembled the
old grandsire, from whom he had inherited the pointed, remarkably fair
beard and an ambiguous expression, at once weary and cunning.
His childhood had been an unhappy one. Menaced with scrofula and
afflicted with relentless fevers, he yet succeeded in crossing the
breakers of adolescence, thanks to fresh air and careful attention. He
grew stronger, overcame the languors of chlorosis and reached his full
development.
His mother, a tall, pale, taciturn woman, died of anaemia, and his
father of some uncertain malady. Des Esseintes was then seventeen
years of age.
Public-domain text, read in full here on John Shaqi.
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