Aesthetics -- Fiction; French fiction -- Translations into English
It was pierced by two windows. One of them was invisible, hidden by a
partition which could, however, be lowered by a spring so as to permit
fresh air to circulate around this pinewood box and to penetrate into
it. The other was visible, placed directly opposite the porthole built
in the wainscoting, but it was blocked up. For a long aquarium
occupied the entire space between the porthole and the genuine window
placed in the outer wall. Thus the light, in order to brighten the
room, traversed the window, whose panes had been replaced by a plate
glass, the water, and, lastly, the window of the porthole.
In autumn, at sunset, when the steam rose from the samovar on the
table, the water of the aquarium, wan and glassy all during the
morning, reddened like blazing gleams of embers and lapped restlessly
against the light-colored wood.
Sometimes, when it chanced that Des Esseintes was awake in the
afternoon, he operated the stops of the pipes and conduits which
emptied the aquarium, replacing it with pure water. Into this, he
poured drops of colored liquids that made it green or brackish,
opaline or silvery--tones similar to those of rivers which reflect the
color of the sky, the intensity of the sun, the menace of rain--which
reflect, in a word, the state of the season and atmosphere.
When he did this, he imagined himself on a brig, between decks, and
curiously he contemplated the marvelous, mechanical fish, wound like
clocks, which passed before the porthole or clung to the artificial
sea-weed. While he inhaled the odor of tar, introduced into the room
shortly before his arrival, he examined colored engravings, hung on
the walls, which represented, just as at Lloyd's office and the
steamship agencies, steamers bound for Valparaiso and La Platte, and
looked at framed pictures on which were inscribed the itineraries of
the Royal Mail Steam Packet, the Lopez and the Valery Companies, the
freight and port calls of the Atlantic mail boats.
If he tired of consulting these guides, he could rest his eyes by
gazing at the chronometers and sea compasses, the sextants, field
glasses and cards strewn on a table on which stood a single volume,
bound in sealskin. The book was "The Adventures of Arthur Gordon Pym",
specially printed for him on laid paper, each sheet carefully
selected, with a sea-gull watermark.
Or, he could look at fishing rods, tan-colored nets, rolls of russet
sail, a tiny, black-painted cork anchor--all thrown in a heap near the
door communicating with the kitchen by a passage furnished with
cappadine silk which reabsorbed, just as in the corridor which
connected the dining room with his study, every odor and sound.
Public-domain text, read in full here on John Shaqi.
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