Aesthetics -- Fiction; French fiction -- Translations into English
Paganism again lives in his verse, sounding its last fanfare, lifting
its last great poet above the Christianity which was soon entirely to
submerge the language, and which would forever be sole master of art.
The new Christian spirit arose with Paulinus, disciple of Ausonius;
Juvencus, who paraphrases the gospels in verse; Victorinus, author of
the _Maccabees_; Sanctus Burdigalensis who, in an eclogue imitated
from Vergil, makes his shepherds Egon and Buculus lament the maladies
of their flock; and all the saints: Hilaire of Poitiers, defender of
the Nicean faith, the Athanasius of the Occident, as he has been
called; Ambrosius, author of the indigestible homelies, the wearisome
Christian Cicero; Damasus, maker of lapidary epigrams; Jerome,
translator of the Vulgate, and his adversary Vigilantius, who attacks
the cult of saints and the abuse of miracles and fastings, and already
preaches, with arguments which future ages were to repeat, against the
monastic vows and celibacy of the priests.
Finally, in the fifth century came Augustine, bishop of Hippo. Des
Esseintes knew him only too well, for he was the Church's most reputed
writer, founder of Christian orthodoxy, considered an oracle and
sovereign master by Catholics. He no longer opened the pages of this
holy man's works, although he had sung his disgust of the earth in the
_Confessions_, and although his lamenting piety had essayed, in the
_City of God_, to mitigate the frightful distress of the times by
sedative promises of a rosier future. When Des Esseintes had studied
theology, he was already sick and weary of the old monk's preachings
and jeremiads, his theories on predestination and grace, his combats
against the schisms.
He preferred to thumb the _Psychomachia_ of Prudentius, that first
type of the allegorical poem which was later, in the Middle Ages, to
be used continually, and the works of Sidonius Apollinaris whose
correspondence interlarded with flashes of wit, pungencies, archaisms
and enigmas, allured him. He willingly re-read the panegyrics in which
this bishop invokes pagan deities in substantiation of his
vainglorious eulogies; and, in spite of everything, he confessed a
weakness for the affectations of these verses, fabricated, as it were,
by an ingenious mechanician who operates his machine, oils his wheels
and invents intricate and useless parts.
After Sidonius, he sought Merobaudes, the panegyrist; Sedulius, author
of the rhymed poems and abecedarian hymns, certain passages of which
the Church has appropriated for its services; Marius Victorius, whose
gloomy treatise on the _Pervesity of the Times_ is illumed, here and
there, with verses that gleam with phosphorescence; Paulinus of Pella,
poet of the shivering _Eucharisticon_; and Orientius, bishop of Auch,
who, in the distichs of his _Monitories_, inveighs against the
licentiousness of women whose faces, he claims, corrupt the people.
Public-domain text, read in full here on John Shaqi.
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