Aesthetics -- Fiction; French fiction -- Translations into English
He was searching his past for a clue, when a strange figure suddenly
appeared on horse-back before them, trotting about for a moment and
then turning around in its saddle. Des Esseintes' heart almost stopped
beating and he stood riveted to the spot with horror. He nearly
fainted. This enigmatic, sexless figure was green; through her violet
eyelids the eyes were terrible in their cold blue; pimples surrounded
her mouth; horribly emaciated, skeleton arms bared to the elbows
issued from ragged tattered sleeves and trembled feverishly; and the
skinny legs shivered in shoes that were several sizes too large.
The ghastly eyes were fixed on Des Esseintes, penetrating him,
freezing his very marrow; wilder than ever, the bulldog woman threw
herself at him and commenced to howl like a dog at the killing, her
head hanging on her rigid neck.
Suddenly he understood the meaning of the frightful vision. Before him
was the image of Syphilis.
Pursued by fear and quite beside himself, he sped down a pathway at
top speed and gained a pavillion standing among the laburnums to the
left, where he fell into a chair, in the passage way.
After a few moments, when he was beginning to recover his breath, the
sound of sobbing made him lift his head. The bulldog woman was in
front of him and, grotesque and woeful, while warm tears fell from her
eyes, she told him that she had lost her teeth in her flight. As she
spoke she drew clay pipes from the pocket of her nurse's apron,
breaking them and shoving pieces of the stems into the hollows of her
gums.
"But she is really absurd," Des Esseintes told himself. "These stems
will never stick." And, as a matter of fact, they dropped out one
after another.
At this moment were heard the galloping sounds of an approaching
horse. A fearful terror pierced Des Esseintes. His limbs gave way. The
galloping grew louder. Despair brought him sharply to his senses. He
threw himself upon the woman who was stamping on the pipe bowls,
entreating her to be silent, not to give notice of their presence by
the sound of her shoes. She writhed and struggled in his grip; he led
her to the end of the corridor, strangling her to prevent her from
crying out. Suddenly he noticed the door of a coffee house, with green
Venetian shutters. It was unlocked; he pushed it, rushed in headlong
and then paused.
Before him, in the center of a vast glade, huge white pierrots were
leaping rabbit-like under the rays of the moon.
Tears of discouragement welled to his eyes; never, no never would he
succeed in crossing the threshold. "I shall be crushed," he thought.
And as though to justify his fears, the ranks of tall pierrots swarmed
and multiplied; their somersaults now covered the entire horizon, the
whole sky on which they landed now on their heads, now on their feet.
Public-domain text, read in full here on John Shaqi.
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