Aesthetics -- Fiction; French fiction -- Translations into English
Des Esseintes had often pondered upon this matter. A really authentic
talent, a supremely profound originality, a well-anchored conviction,
he thought, was needed to animate this formal style which was too
frail to support any thought that was unforseen or any thesis that was
audacious.
Yet, despite all this, there were several writers whose burning
eloquence fused and shaped this language, notably Lacordaire, who was
one of the few really great writers the Church had produced for many
years.
Immured, like his colleagues, in the narrow circle of orthodox
speculations, likewise obliged to dissipate his energies in the
exclusive consideration of those theories which had been expressed and
consecrated by the Fathers of the Church and developed by the masters
of the pulpit, he succeeded in inbuing them with novelty and in
rejuvenating, almost in modifying them, by clothing them in a more
personal and stimulating form. Here and there in his _Conferences de
Notre-Dame_, were treasures of expression, audacious usages of words,
accents of love, rapid movements, cries of joy and distracted
effusions. Then, to his position as a brilliant and gentle monk whose
ingenuity and labors had been exhausted in the impossible task of
conciliating the liberal doctrines of society with the authoritarian
dogmas of the Church, he added a temperament of fierce love and suave
diplomatic tenderness. In his letters to young men may be found the
caressing inflections of a father exhorting his sons with smiling
reprimands, the well-meaning advice and the indulgent forgiveness.
Some of these Des Esseintes found charming, confessing as they did the
monk's yearning for affection, while others were even imposing when
they sought to sustain courage and dissipate doubts by the inimitable
certainties of Faith. In fine, this sentiment of paternity, which gave
his pen a delicately feminine quality, lent to his prose a
characteristically individual accent discernible among all the
clerical literature.
After Lacordaire, ecclesiastics and monks possessing any individuality
were extremely rare. At the very most, a few pages of his pupil, the
Abbe Peyreyve, merited reading. He left sympathetic biographies of his
master, wrote a few loveable letters, composed treatises in the
sonorous language of formal discourse, and delivered panegyrics in
which the declamatory tone was too broadly stressed. Certainly the
Abbe Peyreyve had neither the emotion nor the ardor of Lacordaire. He
was too much a priest and too little a man. Yet, here and there in the
rhetoric of his sermons, flashed interesting effects of large and
solid phrasing or touches of nobility that were almost venerable.
But to find writers of prose whose works justify close study, one was
obliged to seek those who had not submitted to Ordination; to the
secular writers whom the interests of Catholicism engaged and devoted
to its cause.
Public-domain text, read in full here on John Shaqi.
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