Open came the bag, but the best Ned could do in the way of style was a
very neat blue suit. What he would have called the swallow-tails, which
Senora Tassara might have expected as the dinner dress of a more
important guest, could hardly be required of a young fellow just escaped
from a norther. As soon as he felt that he had done his best, he turned
toward the door, but it opened to let in Senor Zuroaga in full
regulation dinner costume. How he could have put it on so quickly
puzzled Ned, but he asked no questions. It was quite possible, however,
that even the descendant of Cortes and the Montezumas was a little bit
in awe of the matronly descendant of the ancient Spanish grandees. She
might be a powerful personage in more ways than one. At all events, Ned
was led out to the central hall and across it, to where an uncommonly
wide door stood open, letting out a flood of illumination.
"Walk in, senors," said Colonel Tassara, from just inside this portal,
and the next moment Ned was altogether astonished.
He had been impressed, on reaching this house, that it was an old and
even dingy affair, of no considerable size, but he did not yet know that
the older Spanish mansions were often built with only one story and
around a central courtyard. Moreover, at least in Mexico, they were apt
to show few windows in front, and to be well calculated for use as a
kind of small forts, if revolutionary or similar occasions should ask
for thick walls, with embrasures for musketry. One glance around Senora
Tassara's dining-room was enough to work a revolution in Ned's ideas
relating to that establishment. It was large, high-ceilinged, and its
carpetless floor was of polished mahogany. The walls and ceiling were of
brilliant white stucco. Upon the former were hung several trophies of
weapons and antlers of deer. In the centre, at the right, in a kind of
ornamental shrine, was an ivory and ebony crucifix, which was itself a
priceless work of art. The long dining-table had no cloth to conceal the
fact that it was of the richest mahogany, dark with age and polished
like a mirror. On the table was an abundance of fine china ware, none of
it of modern manufacture, but all the more valuable for that reason. At
the end nearest Ned stood a massive silver coffee-urn, beautifully
molded, and it was not wonderful that he stood still a moment to stare
at it, for it had taken him altogether by surprise.
Almost instantly a change came over the dark, handsome features of
Senora Tassara. She smiled brightly, for Ned's undisguised admiration of
that mass of silver had touched her upon a tender spot, and she now
spoke to him with at least four times as much cordiality as she had
shown him in the hall.
Public-domain text, read in full here on John Shaqi.
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