“Maddy, mother—Madeline Clyde. She’s so pretty. I’m going to see her
again. May I?”
Agnes did not reply directly, but continued to question the child with
regard to the cottage which Jessie thought so funny, slanting away
back, she said, so that the roof on one side almost touched the ground.
The window panes, too, were so very tiny, and the room where Maddy lay
sick was small and low.
“Yes, yes, I know,” Agnes said at last, impatiently, weary of hearing
of the cottage whose humble exterior and interior she knew so much
better than Jessie herself.
But this was not to be divulged; for surely the haughty Agnes
Remington, who, in Boston, aspired to lead in society into which, as
the wife of Dr. Remington, she had been admitted, and who, in
Aikenside, was looked upon with envy, could have nothing in common with
the red cottage or its inmates. So when Jessie asked again if she could
not visit Maddy on the morrow, she answered decidedly: “No, daughter,
no. I do not wish you to associate with such people,” and when Jessie
insisted on knowing why she must not associate with such people as
Maddy Clyde, the answer was: “Because you are a Remington,” and as if
this of itself were of an unanswerable objection, Agnes sent her child
from her, refusing to talk longer on a subject so disagreeable to her
and so suggestive of the past. It was all in vain that Jessie, and even
Guy himself, tried to revoke the decision. Jessie should not be
permitted to come in contact with that kind of people, she said, or
incur the risk of catching that dreadful fever.
So day after day, while life and health were slowly throbbing through
her veins, Maddy waited and longed for the little girl whose one visit
to her sick room seemed so much like a dream. From her grandfather she
had heard the good news of Guy Remington’s generosity, and that, quite
as much as Dr. Holbrook’s medicines, helped to bring the color back to
the pallid cheek and the brightness to her eyes.
Public-domain text, read in full here on John Shaqi.
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