Ailsa Paige: A NovelChambers, Robert W. (Robert William)
History
Ailsa Paige: A Novel
Chambers, Robert W. (Robert William)
United States -- History -- Civil War, 1861-1865 -- Fiction; War stories, American
"By magnetic telegraph if you wish, Honey-bell," conceded Celia
hastily. "Oh, we must _not_ begin disputin' about matters that
nobody can possibly he'p. It will all come right; you know it
will, don't you, Curt?"
"Yes, I know it, somehow."
Silence, fragrance, and darkness, through which rang the distant
laugh of a young girl. And, very, very far away sounds arose in
the city, dull, indistinct, lost for moments at a time, then
audible again, and always the same sounds, the same monotony, and
distant persistence.
"I do believe they're calling an extra," said Ailsa, lifting her
head to listen.
Celia listened, too.
"Children shouting at play," she said.
"They _are_ calling an extra, Celia!"
"No, little Cassandra, it's only boys skylarking."
For a while they remained listening and silent. The voices still
persisted, but they sounded so distant that the light laughter from
their neighbour's stoop drowned the echoes.
Later, Jimmy Lent drifted into the family circle.
"They say that there's an extra out about Fort Sumter," he said.
"Do you think he's given up, Mr. Craig?"
"If there's an extra out the fort is probably safe enough, Jim,"
said the elder man carelessly. He rose and went toward the group
of girls and youths under the trees.
"Come, children," he said to his two daughters; and was patient
amid indignant protests which preceded the youthful interchange of
reluctant good-nights.
When he returned to the stoop Ailsa had gone indoors with her
cousin. His wife rose to greet him as though he had been away on a
long journey, and then, passing her arms around her schoolgirl
daughters, and nodding a mischievous dismissal to Jimmy Lent,
walked slowly into the house. Bolts were shot, keys turned; from
the lighted front parlour came the notes of the sweet-toned square
piano, and Ailsa's voice:
--"Dear are her charms to me,
Dearest her constancy,
Aileen aroon--"
"Never mind any more of that silly song!" exclaimed Celia,
imprisoning Ailsa's arms from behind.
"Youth must with time decay,
Aileen aroon,
Beauty must fade away,
Aileen aroon--"
"Don't, dear! please----"
But Ailsa sang on obstinately:
"Castles are sacked in war,
Chieftains are scattered far,
Truth is a fixed star,
Aileen aroon."
And, glancing back over her shoulder, caught her breath quickly.
"Celia! What _is_ the matter, dear?"
"Nothing. I don't like such songs--just now----"
"What songs?"
"I don't know, Ailsa; songs about war and castles. Little things
plague me. . . . There's been altogether too much talk about
war--it gets into ev'ything, somehow. I can't seem to he'p it,
somehow----"
"Why, Celia! _You_ are not worrying?"
"Not fo' myse'f, Honey-bud. Somehow, to-night--I don't know--and
Curt seemed a little anxious."
She laughed with an effort; her natural gaiety returned to buoy her
above this indefinable undercurrent of unrest.
Public-domain text, read in full here on John Shaqi.
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