Poetry -- 20th century -- Periodicals; Short stories -- Periodicals
“We don’t serve rice with fish in Charleston.”
The inner life of this Huguenot city is little known to the public,
because Charleston won’t have it known. The same exclusiveness and
privacy pervade her social and domestic system in the beginning of the
twentieth as in the eighteenth century.
No detailed description of this feeling could so firmly fix it in the
mind of the stranger as a remark made by a member of one of the oldest
families in the city. When a certain history of the Revolution was
published, it had a chapter on the part played in it by men of South
Carolina. Included in this was an intimate description of the bravery
of a Charleston general. An ancestor of this man wrote at once to the
publisher:
“You will be so kind as to leave out in your next edition all allusions
to my ancestor, General ----. What he did in the Revolution is a purely
private and family matter, and we do not wish it boldly displayed for
the public to read.”
In the next edition of the book the career of the Charlestonian was
left out!
This pride, however, works in another way. The well-born Charlestonian
expects the world to know who he is and whence he sprang.
This story is told--possibly as a joke, by Charlestonians--of an
elderly man at the head of a family a member of which signed the
Declaration of Independence. He presented a check to be cashed at a
bank in another Southern city. The cashier told him he would have to be
identified. To which he replied: “My God, has it come to this, that a
M----n must be identified in America!”
Socially, Charleston exercises a spell over the visitor. A famous
Northern lawyer, who went South last winter for the first time, could
not make up his mind to step off the train into the Charleston station
because of his rebellious feeling against that first shot at Sumter;
so he went on to Florida. Coming back, he determined to conquer his
prejudice and take a look at the Battery and St. Michael’s. He remained
for days. His observant criticism for once failed him.
“What people! What culture! What society!” This was all he could say,
but his exclamation points grew larger and longer after each phrase.
The first evidence of social quaintness in the town is the way the
first families live. Here comes the strain of French blood. The
venerable houses are placed among dense foliage, the side, never the
front, of the house facing the street. In this side are the parlor and
upper bedroom windows, which are never open to the public streets, but
covered with wooden shutters. Instead of a front doorbell to ring,
there is a small gate with a bell. This you tinkle, and a servant lets
you in. There is a long piazza running the full side length of the
house, which is often used as a sitting room. The piazza is usually
protected by jalousie blinds. If the formal caller finds it deserted,
he is shown in the reception room, with closed shutters, but in the
warm days all informal entertaining is done on the piazza.
Public-domain text, read in full here on John Shaqi.
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