Poetry -- 20th century -- Periodicals; Short stories -- Periodicals
I bowed, and when there was the closed door between us, I laughed, not
at all pleasantly. “This New York!” I said aloud. “This New York that
dabbles its slime of sordidness and snobbishness on every flower in the
garden of human nature.” I took from my inside pocket the picture of
Anita I always carried. “Are _you_ like that?” I demanded of it. And it
seemed to answer: “Yes, I am.” Did I tear the picture up? No. I kissed
it as if it were the magnetic reality. “I don’t care what you are,” I
cried. “I want you! I want you!”
“Fool!” you are saying. Precisely what I called myself. And you? Is it
the one you _ought_ to love that you give your heart to? Is it the one
that understands you and sympathizes with you? Or is it the one whose
presence gives you visions of paradise and whose absence blots out the
light?
I loved her. Yet I would have torn out my life before I would have
taken her on any terms that did not make her wholly mine.
XXIV.
Now that Updegraff is dead, I am free to tell of our relations.
My acquaintance with him was more casual than with any other of “The
Seven.” From the outset of my career I made it a rule never to deal
with understrappers, always to get in touch with the man who had the
final say. Thus, as the years went by, I grew into intimacy with
the great men of finance where many with better natural facilities
for knowing them remained in an outer circle. But with Updegraff,
interested only in enterprises west of the Mississippi and keeping
Denver as his legal residence and exploiting himself as a Western man
who hated Wall Street, I had a mere bowing acquaintance. This was not
important, however, as each knew the other well by reputation. Our
common intimacies made us intimates for all practical purposes.
Public-domain text, read in full here on John Shaqi.
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