Stereo obliques can of course only be made with any facility by
laterally pointing cameras. From the calculations already given it
appears that a “correct” stereo oblique of an object 500 meters away
will mean exposures only two or three seconds apart, too short an
interval for any of the ordinary plate-changing and shutter-setting
mechanisms; and the case is even worse should less relief be desired.
One solution of this problem has been the use, already mentioned, of two
cameras mounted together, either side by side or one over the other,
with separate shutter releases. Both releases may be controlled by the
observer, using a sight, or else pilot and observer may work in harmony
as has been recommended in the English service, where the pilot releases
one shutter and the observer counts time from the instant he sees the
first shutter unwind and releases the second.
[Illustration:
FIG. 159.—Oblique stereogram made with stereoscopic aerial camera
(Fig. 157). To be viewed by crossing the optic axes (Fig. 158).]
A very satisfactory apparatus for the taking of stereo obliques consists
of a 10-inch focus hand-held camera (Fig. 157), provided with a
two-aperture focal-plane shutter. The right-hand half of one curtain
aperture is blocked out, the left-hand half of the other. The first
pressure on the exposing lever exposes one-half of the plate, the second
the other. A stereoscopic sight of the type already described is placed
on the bottom. To make an oblique stereo negative the camera is held
rigidly by resting the elbows on the top of the fuselage and the first
exposure is made when the object comes in line with the rear sight and
the leading front sight. The eye is then moved so as to look along the
line of the rear sight and the following front sight, and when the
object is again in alinement the second pressure is given the exposing
lever. Fig. 159 shows a stereo oblique made by this camera. The elements
are transposed right and left, and the stereogram may be viewed by
crossing the optic axes as shown in Fig. 158, or the two pictures may be
cut apart and remounted.
Public-domain text, read in full here on John Shaqi.
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