American fiction -- 20th century; United States -- History -- Civil War, 1861-1865 -- Fiction
Aladdin’s street was crowded to suffocation, and the front of the house
where Aladdin lived was blown out, and men with grave faces were going
about among the ruins looking for what was left of Aladdin’s father.
A much littler boy than Aladdin stood in the yard of the house. In his
arms folded high he clutched a yellow cat, who licked his cheek with her
rough tongue. The littler boy kept crying, “‘Laddin, ‘Laddin!”
Aladdin took the little boy and the yellow cat all into one embrace, and
people turned away their heads.
VII
In the ensuing two days Aladdin matured enormously, for though a kind
neighbor took him in, together with his brother Jack and the yellow cat,
he had suffered many things and already sniffed the wolf at the door.
The kind neighbor was a widow lady, whose husband, having been a master
carpenter of retentive habits, had left her independently rich. She
owned the white-and-green house in which she lived, the plot of ground,
including a small front and a small back yard, upon which it stood,
and she spent with some splendor a certain income of three hundred and
eighty-two dollars a year. Every picture, every chair, every mantelpiece
in the Widow Brackett’s house was draped with a silk scarf. The parlor
lamp had a glass shade upon which, painted in oils, by hand, were
crimson moss-roses and scarlet poppies. A crushed plush spring rocker
had goldenrod painted on back and seat, while two white-and-gold vases
in precise positions on the mantel were filled with tight round
bunches of immortelles, stained pink. Upon the marble-topped,
carved-by-machine-walnut-legged table in the bay-window were things to
be taken up by a visitor and examined. A white plate with a spreading of
foreign postage-stamps, such as any boy collector has in quantities for
exchange, was the first surprise: you were supposed to discover that the
stamps were not real, but painted on the plate, and exclaim about it. A
china basket contained most edible-looking fruit of the same material,
and a huge album, not to be confounded with the family Bible upon which
it rested, was filled with speaking likenesses of the Widow Brackett’s
relatives. The Bible beneath could have told when each was born, when
many had died, and where many were buried. But nobody was ever allowed
to look into the Widow Brackett’s Bible for information mundane or
spiritual, since the only result would have been showers of pressed
ferns and flowers upon the carpet, which was not without well-pressed
flowers and ferns of its own.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account