American fiction -- 20th century; United States -- History -- Civil War, 1861-1865 -- Fiction
And if Peter Manners had any of
the baser passions, he divined this, and hated Aladdin back, but rather
contemptuously. They met occasionally, and the meetings, always in the
presence of Margaret, were never very happy. She was woman enough to
rejoice at being a bone of contention, and angel enough to hate seeing
good times spoiled.
But it was hard on Aladdin. He could go to her house almost when he
liked, and be welcomed by her, but to her father and the rest of the
household he was not especially welcome. They were always polite to him,
and always considerate, and he felt--quite rightly--that he was merely
tolerated, as a more or less presentable acquaintance of Margaret’s.
Manners, on the other hand, and it took less intuition to know it, was
not only greatly welcome to Margaret, but to all the others--from
the gardener up to the senator. Manners’ distinction of manner, his
wellbred, easy ways, his charmingly enunciative and gracious voice,
together with his naive and simple nature, went far with people’s
hearts. Aladdin bitterly conceded every advantage to his rival except
that of mind. To this, for he knew even in his humble moments that he
himself had it, he clung tenaciously. Mrs. Brackett, with a sneaking
admiration for Peter Manners, whom she had once seen on the street, had
Aladdin’s interests well in heart, and the lay of the matter well in
hand. She put it like this to a friendly gossip:
“I guess’ Laddin O’Brien’s ‘bout smaht enough to go a long ways further
than fine clothes and money and a genealogical past will carry a body.
He writes sometimes six and eight big sides of paper up in a day, and
if he ain’t content with that he just tears it up and goes at it again.
There won’t be anybody’ll go further in this world than ‘Laddin O’Brien,
and you can say I said so--”
Here under oath of secrecy Mrs. Brackett lowered her voice and divulged
a secret:
“He got a letter this mornin’ sayin’ that the Portland’spy’ is goin’ to
print three poems he sent ‘em, and enclosin’ three dollars to pay for
‘em. I guess beginnin’ right now he could go along at that rate and make
mebbe five or six hundred dollars a year. Poetry’s nothin’ to him; he
can write it faster than you and I can baste.”
At the very moment of this adoring act of divulgence Aladdin was in
the parlor, giving his first taste of success a musical soul, and
waiting--waiting--waiting until it should be late enough in the day for
him to climb the hill to the St. Johns’ and hand over the Big News to
Margaret. And as he sat before the piano, demipatient and wholly joyful,
his fingers twinkled the yellowed and black keys into fits of merriment,
or, after an abrupt pause, built heap upon heap of bass chords. Then
the mood would change and, to a whanging accompaniment, he would chant,
recitative fashion, the three poems which alone he had made.
Public-domain text, read in full here on John Shaqi.
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