American fiction -- 20th century; United States -- History -- Civil War, 1861-1865 -- Fiction
The misery of others is a great cure: with the first sight of Mr.
Blankinship, Aladdin’s headache had gone, and he now pounced upon fresh
paper, got a notion out of the God-knows-where, wrote his editorial at
full speed, and finished it without once removing the cigar from his
mouth.
He had just done when the shrewd, inky little boy, who did everything
about the “Spy” offices which nobody else would do, entered and said
that a gentleman wanted to speak with Mr. O’Brien. Aladdin had the
gentleman shown up, and recognized the oldest of Hannibal St. John’s
sons; he knew them well by sight, but it so happened that he had never
met them. They were the three biggest and most clean-cut young men
in Maine, measuring between six feet three and four; erect, massive,
utterly composed, and, if anything, a little stronger than so many
dray-horses. They were notable shots, great fishermen, and the whole
State was beginning to speculate with excitement about their respective
futures and the present almost glittering success of the law firm which
they composed. The oldest was the tallest and the strongest. He had been
known to break horseshoes and to tear a silver dollar in two. Iron was
as sealing-wax in his huge hands. His habits were Spartan. The second
son was almost a replica of the first--a little darker and a little less
vivid. The third was like the others; but his face was handsomer, and
not so strong. He was of a more gentle and winning disposition, for his
life was not ignorant of the frailties. The girl to whom he had
been engaged had died, and that had left a kind of sweetness, almost
beseechingness, in his manner, very engaging in so tall and strong a
man.
“Mr. O’Brien?” said John St. John.
Aladdin arose and held out his long, slender hand.
Aladdin had a way of moving which was very individual to himself, a
slight, ever so slight, exaggeration of stride and gesture, a kind of
captivating awkwardness and diffidence that was on the borderland of
grace and assurance. Like all slender people who work much with
their heads, he had a strong grip, but he felt that his hand was as
inconsistent as an eel when St. John’s closed over it.
“I came in for a moment,” said St. John, “to say that we are all
exceedingly grateful to you. Your song was a great factor in my father’s
reelection to the Senate. But we do not hold so much by the song as
by the good will which you showed us in writing it. I want you to
understand and believe that if I can ever be of the slightest service to
you, I will go very far to render it.”
“I’m as obliged as I can be,” said Aladdin. “It’s mighty good of you
to come and talk to me like this, and except for the good will I have
toward all your family, I don’t deserve it a bit.”
When John St. John had gone, the inky boy came to announce that another
gentleman wished to speak with Mr. O’Brien.
The second gentleman proved to be the second brother, Hamilton St. John.
“Mr. O’Brien?” said he.
Aladdin shook hands with him.
Public-domain text, read in full here on John Shaqi.
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