He says this with an air of resolution, and once more lays down his face
upon the footstool, which, being entirely worked in beads, has impressed
the cheek thrust against it with a design in small hollows, a fact of
which the sufferer is quite unaware.
"You cannot stay!" cries Burgoyne, the more impatiently that his own
share of anxiety is fretting his temper almost past endurance; "you
cannot stay, it is out of the question; they want to come into the
rooms, to prepare them for new occupants."
"_New occupants!_" repeats Byng, turning over almost on his face, and
flattening his nose and lips against the beaded surface of his stool,
"other occupants than _her_. Never! never!"
It is to be placed to the credit side of Mr. Burgoyne's account that he
does not, upon this declaration, withdraw the resting-place from his
young friend's countenance and break it over his head. It is certainly
not the temptation to do so that is lacking. Instead, he sits down at
some distance off, and says quietly:
"I see, you will force them to call in the police. You will make a
discreditable _esclandre_. How good for her; how conducive to her good
name. I congratulate you!"
The other has lifted his head in a moment.
"What do you mean?"
"Do you think," asks Jim indignantly, "that it is ever very advantageous
to a woman to have her name mixed up in a vulgar row? And do you suppose
that hers will be kept out of it? Come"--seeing a look of shocked
consternation breaking over the young man's face, and determined to
strike while the iron is hot--"I will call a fiacre, and we will go home
to the hotel. Put back her things into her basket. What right have you
to meddle with them? You have no business to take advantage of her
absence to do what you would not do if she were here."
Public-domain text, read in full here on John Shaqi.
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