"Is not he beautiful?" asks Cecilia, with another laugh, alluding to her
coachman, as she and Burgoyne set off upon their _tête-à-tête_ drive,
Mr. Wilson seeing, apparently, no reason in the fact of his (Burgoyne's)
appearance on the scene for departing from his invariable custom of
walking home from church; "is not he beautiful? When first we came here
we were in mourning; as if"--catching herself up with a stifled
sigh--"there were any need to tell _you_ that; and father wanted to put
him into black, but I would not hear of it: was not I right? He would
have been nothing in black; it is his red and yellow that give him his
_cachet_."
Jim feels inclined to burst out laughing. There is something so
ludicrous in the disproportion between his fears and their fulfilment,
in the fact of the whole importance of Amelia's death resolving itself
into a sash or no sash for an Arab coachman, that he has some difficulty
in answering in a key of which the irony shall not be too patent:
"I think you were perfectly right."
He does not know whether she perceives the dryness of his tone; he
thinks probably not, as she goes on to ask him a great many questions as
to his journey, etc., talking quickly and rather flightily, scarcely
leaving room between her queries for his monosyllabic replies, and
ending with the ejaculation:
"How nice it is to see you again!"
"Thank you." His acknowledgment seems to himself so curt that, after a
moment, he feels constrained to add something to it. That something is
the bald and trivial inquiry: "And you--how have you all been getting
on?"
Cecilia shrugs her shoulders.
"We are better off than we were; you know that, of course. Nobody ever
thought that father's brother would have died before him. Wait till you
see our villa--it is one of the show ones here; and of course it is very
pleasant having more money; but one cannot help wishing that it had come
earlier." She sighs as she speaks; not an ostentatious sigh, but a
repressed and strangled one; and, despite the flower-garden in her
bonnet, his heart softens to her. Perhaps his look has rested on that
flower-garden with a more open disapprobation than he knows, for she
says presently: "I think that one may be very bright-coloured outside,
and very black inside. Father and I are sometimes very black inside."
"Are you?"
Public-domain text, read in full here on John Shaqi.
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