"We do very well when we are alone together, father and I; we like to
talk about her. Dear me! what a place Algiers is for dust! that is why
there are so many blind people here. How it gets into one's eyes!" She
puts her handkerchief up hastily to her face as she speaks; but Jim is
not taken in by the poor little ruse, and he listens to her in a silence
that is almost tender, as she goes on: "Sybilla begins to cry if we even
distantly allude to her; yet I know"--with exasperation--"that she talks
of her by the hour to strangers--to her new doctor, for instance; yes,
she has picked up a new doctor here--a dreadful little adventurer! She
will probably talk of nothing else but her to you."
"God forbid!"
They have by this time left the town behind them, and have turned
through a stone-pillared gate down an ilex and ficus-sheltered drive,
along which the _indigène_, whipping up his horses to an avenue canter,
lands them at the arched door of a snowy Moorish house, whose whitewash
shows dazzling through the interstices of a Bougainvillia fire blazing
all over its front.
Two minutes later Jim is standing by Sybilla's couch. She is holding
both his hands in hers, and there is something in her face which tells
him that she means that he shall kiss her.
"When I think--when I think of our last meeting!" she says hysterically.
"Yes," he says, gasping; "yes, of course. What a beautiful villa you
have here!"
The observation is a true one, though, for the moment, he has not the
least idea whether it is beautiful or not, as he turns his tormented
eyes round upon the delicious little court, with its charming
combination of slender twisted marble columns, of mellow-tinted tiles,
of low plashing fountain. Originally it has been open, roofless to the
eye and the breath and the rains of heaven; but its Northern purchaser
has covered it in with glass, and set low divans and luxuriantly
cushioned bamboo chairs about its soft-tumbling water.
Sybilla has let fall her hands, and the expression of the wish for a
sisterly embrace has disappeared out of her face. For a few moments she
remains absolutely silent. He looks round anxiously for Cecilia, but she
has gone to take off her bonnet, and Mr. Wilson has not yet come in.
Under pretence of examining the tiles, he walks towards the lovely
little colonnade of horseshoe arches that form the court, and his uneasy
look rests, scarcely seeing them, upon the vertical lines of lovely old
faïence that intersect the whitewash with softest blues and greens and
yellows.
When will Cecilia return? Behind him he presently hears the invalid's
voice, steadied and coldened.
Public-domain text, read in full here on John Shaqi.
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