It is indeed a wet night, wet as the one immortalized by Browning in
"Christmas Eve and Easter Day;" and who ever brought a wet night and wet
umbrellas "wry and flapping" so piercingly home to us as he? The talk so
cheerfully promised by Burgoyne's sanguine friend is rendered absolutely
impossible by the riot of the elements. It is a good step from the
suburban villa, which is the scene of Brown's married joys, to the room
in the heart of the town where the Provident Matrons hold their
_sabbat_; and by the time that the two men have reached that room there
is, despite his mackintosh, little of Burgoyne left dry except his
speech. They are under shelter at last, however, have entered the
building, added their umbrellas to many other streaming wrecks of
whalebone huddled in a corner, and exchanged the dark blustering drench
for a flare of gas, a reek of tea, and a sultry stream of wet clothes
and humanity. The tea, indeed, is a thing of the past--all its apparatus
has been removed. The rows of chairs are all set to face the platform,
and on those chairs the Provident Women sit, smiling, if damp, with here
and there a little boy, evidently too wicked to be left at home,
comfortably wedged between a couple of matronly figures.
The entertainment has already begun, and an undergraduate--damp, like
everyone else--is singing, in a booming bass voice, something of a
vaguely boastful nature about what he once did "In Bilboa's Bay."
Burgoyne has for the moment lost sight of his chaperon, and remains
standing near the door, looking upon the scene around him with an eye
from which philanthropy is all too criminally absent. About him are
grouped a few ladies and gentlemen--more of the former than the
latter--who are obviously about to give their services, judging by their
rolls of music and the books in their hands. His look passes over them
indifferently--he has no acquaintance among them. He had never known
many of the Oxford householders, and there is no place where a man
becomes superannuated after so short a lapse of years.
Here are new arrivals. He turns his head mechanically as the opening
door reveals the advent of more umbrellaed and mackintoshed waterfalls.
Two men and a lady. As his eye alights on the woman, he does not
start--we Anglo-Saxons are not apt to make our slow grave bodies the
indexes of our emotions--but he is conscious of an odd and puzzling
sensation. Where has he seen that face before?
Public-domain text, read in full here on John Shaqi.
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