"If I was rude to you just now," she says, rather tremulously; "if I am
ever rude to you in the future, I hope you will understand--I hope you
will put it down to the fact that I--I--am very ignorant of--that I know
very little of the world."
* * * * *
The two men are gone; so is the child; so is the dog; and Elizabeth is
shutting up the piano and removing the score.
"What a noise we made!" she says, smiling at the recollection.
"If you make such a shocking noise again, the signora and the other
lodgers will infallibly interfere."
Mrs. Le Marchant has followed her daughter, and now throws one arm about
her slight neck, with a gesture of passionate affection.
"If you knew," she says, in a voice of deep and happy agitation, "what
it was to me to hear you laugh as you did to-day!"
"I have a good many arrears in that way to make up, have not I, mammy?
And so have you too," answers the younger woman, laying her sleek head
down caressingly on her mother's shoulder; then, in a changed and
restless voice: "Oh, if we could stop that man talking about the Moat!
Why does he go on hammering about it?"
"Why indeed?" replies Mrs. Le Marchant with a shrug. "Men are so
thick-skinned; but it is rather touching, his having remembered us all
these years, is not it? For my part, I had almost entirely forgotten his
existence--had not you?"
"Absolutely!" replies Elizabeth, with emphasis; "and if he will only let
me, I am more than willing to forget it over again. Oh, mammy" (turning
her face round, and burying it on her mother's breast), "why can't we
forget everything? begin everything afresh from now--this delightful
_now_?"
CHAPTER XI.
A reconciliation is seldom effected without some price being paid for
it. Jim's with Elizabeth, if it can be called such, is bought at the
cost of a small sacrifice of principle on his part. No later than this
morning he had laid it down as a Median rule that he should avoid
opportunities of finding himself in Miss Le Marchant's company; and yet,
not only has he spent the major part of the afternoon in her society,
but, as he walks away from her door, he finds that he has engaged
himself to help Byng, on no distant day, in doing the honours of the
Certosa Monastery to her and her mother. On reflection, he cannot quite
explain to himself how the arrangement has come about. The proposal
certainly did not originate with him, and still less with the two ladies
so strangely shy of all society. The three have somehow been swept into
it by Byng, who, either with the noblest altruism, or because he feels
justly confident that he has no cause for jealousy of his friend (Jim's
cynical reflection is that the latter is the much more probable reason),
has insisted on drawing him into the project.
Public-domain text, read in full here on John Shaqi.
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