“The President of the Court played this pleader a trick by appointing him to defend at the Assizes a half-witted peasant accused of forgery. But Monsieur Savaron procured the poor man’s acquittal by proving his innocence and showing that he had been a tool in the hands of the real culprits. Not only did his line of defence succeed, but it led to the arrest of two of the witnesses, who were proved guilty and condemned. His speech struck the Court and the jury. One of these, a merchant, placed a difficult case next day in the hands of Monsieur Savaron, and he won it. In the position in which we found ourselves, Monsieur Berryer finding it impossible to come to Besancon, Monsieur de Garcenault advised him to employ this Monsieur Albert Savaron, foretelling our success. As soon as I saw him and heard him, I felt faith in him, and I was not wrong.” “Is he then so extraordinary?” asked Madame de Chavoncourt. “Certainly, madame,” replied the Vicar-General. “Well, tell us about it,” said Madame de Watteville. “The first time I saw him,” said the Abbe de Grancey, “he received me in his outer room next the ante-room--old Galard’s drawing-room--which he has had painted like old oak, and which I found entirely lined with law-books, arranged on shelves also painted as old oak. The painting and the books are the sole decoration of the room, for the furniture consists of an old writing table of carved wood, six old armchairs covered with tapestry, window curtains of gray stuff bordered with green, and a green carpet over the floor. The ante-room stove heats this library as well. As I waited there I did not picture my advocate as a young man. But this singular setting is in perfect harmony with his person; for Monsieur Savaron came out in a black merino dressing-gown tied with a red cord, red slippers, a red flannel waistcoat, and a red smoking-cap.” “The devil’s colors!” exclaimed Madame de Watteville. “Yes,” said the Abbe; “but a magnificent head. Black hair already streaked with a little gray, hair like that of Saint Peter and Saint Paul in pictures, with thick shining curls, hair as stiff as horse-hair; a round white throat like a woman’s; a splendid forehead, furrowed by the strong median line which great schemes, great thoughts, deep meditations stamp on a great man’s brow; an olive complexion marbled with red, a square nose, eyes of flame, hollow cheeks, with two long lines, betraying much suffering, a mouth with a sardonic smile, and a small chin, narrow, and too short; crow’s feet on his temples; deep-set eyes, moving in their sockets like burning balls; but, in spite of all these indications of a violently passionate nature, his manner was calm, deeply resigned, and his voice of penetrating sweetness, which surprised me in Court by its easy flow; a true orator’s voice, now clear and appealing, sometimes insinuating, but a voice of thunder when needful, and lending itself to sarcasm to become incisive.