As soon as Albert had taken a seat, Mademoiselle de Watteville quickly found a place whence she could see him perfectly during all the time the Abbe might leave her. When Mariette said, “Here is Monsieur Giroud,” it seemed to Rosalie that the interview had lasted no more than a few minutes. By the time she came out from the confessional, Mass was over. Albert had left the church. “The Vicar-General was right,” thought she. “_He_ is unhappy. Why should this eagle--for he has the eyes of an eagle--swoop down on Besancon? Oh, I must know everything! But how?” Under the smart of this new desire Rosalie set the stitches of her worsted-work with exquisite precision, and hid her meditations under a little innocent air, which shammed simplicity to deceive Madame de Watteville. From that Sunday, when Mademoiselle de Watteville had met that look, or, if you please, received this baptism of fire--a fine expression of Napoleon’s which may be well applied to love--she eagerly promoted the plan for the Belvedere. “Mamma,” said she one day when two columns were turned, “my father has taken a singular idea into his head; he is turning columns for a Belvedere he intends to erect on the heap of stones in the middle of the garden. Do you approve of it? It seems to me--” “I approve of everything your father does,” said Madame de Watteville drily, “and it is a wife’s duty to submit to her husband even if she does not approve of his ideas. Why should I object to a thing which is of no importance in itself, if only it amuses Monsieur de Watteville?” “Well, because from thence we shall see into Monsieur de Soulas’ rooms, and Monsieur de Soulas will see us when we are there. Perhaps remarks may be made--” “Do you presume, Rosalie, to guide your parents, and think you know more than they do of life and the proprieties?” “I say no more, mamma. Besides, my father said that there would be a room in the grotto, where it would be cool, and where we can take coffee.” “Your father has had an excellent idea,” said Madame de Watteville, who forthwith went to look at the columns. She gave her entire approbation to the Baron de Watteville’s design, while choosing for the erection of this monument a spot at the bottom of the garden, which could not be seen from Monsieur de Soulas’ windows, but whence they could perfectly see into Albert Savaron’s rooms. A builder was sent for, who undertook to construct a grotto, of which the top should be reached by a path three feet wide through the rock-work, where periwinkles would grow, iris, clematis, ivy, honeysuckle, and Virginia creeper. The Baroness desired that the inside should be lined with rustic wood-work, such as was then the fashion for flower-stands, with a looking-glass against the wall, an ottoman forming a box, and a table of inlaid bark. Monsieur de Soulas proposed that the floor should be of asphalt. Rosalie suggested a hanging chandelier of rustic wood.