France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
Francesca turned away from the parapet, leaving Rodolphe, and went to
the further end of the terrace, whence there is a wide prospect of the
lake. Watching her as she slowly walked away, Rodolphe suspected that
he had wounded her soul, at once so simple and so wise, so proud and so
humble. It turned him cold; he followed Francesca, who signed to him to
leave her to herself. But he did not heed the warning, and detected her
wiping away her tears. Tears! in so strong a nature.
“Francesca,” said he, taking her hand, “is there a single regret in your
heart?”
She was silent, disengaged her hand which held her embroidered
handkerchief, and again dried her eyes.
“Forgive me!” he said. And with a rush, he kissed her eyes to wipe away
the tears.
Francesca did not seem aware of his passionate impulse, she was so
violently agitated. Rodolphe, thinking she consented, grew bolder; he
put his arm round her, clasped her to his heart, and snatched a kiss.
But she freed herself by a dignified movement of offended modesty, and,
standing a yard off, she looked at him without anger, but with firm
determination.
“Go this evening,” she said. “We meet no more till we meet at Naples.”
This order was stern, but it was obeyed, for it was Francesca’s will.
* * * * *
On his return to Paris Rodolphe found in his rooms a portrait of
Princess Gandolphini painted by Schinner, as Schinner can paint.
The artist had passed through Geneva on his way to Italy. As he had
positively refused to paint the portraits of several women, Rodolphe
did not believe that the Prince, anxious as he was for a portrait of
his wife, would be able to conquer the great painter’s objections; but
Francesca, no doubt, had bewitched him, and obtained from him--which was
almost a miracle--an original portrait for Rodolphe, and a duplicate for
Emilio. She told him this in a charming and delightful letter, in which
the mind indemnified itself for the reserve required by the worship
of the proprieties. The lover replied. Thus began, never to cease,
a regular correspondence between Rodolphe and Francesca, the only
indulgence they allowed themselves.
Rodolphe, possessed by an ambition sanctified by his love, set to
work. First he longed to make his fortune, and risked his all in
an undertaking to which he devoted all his faculties as well as
his capital; but he, an inexperienced youth, had to contend against
duplicity, which won the day. Thus three years were lost in a vast
enterprise, three years of struggling and courage.
Public-domain text, read in full here on John Shaqi.
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