Poets, English -- 18th century -- Biography; Pope, Alexander, 1688-1744
A single touch remains. Pope was buried, by his own directions, in a
vault in Twickenham church, near the monument erected to his parents. It
contained a simple inscription ending with the words "_Parentibus bene
merentibus filius fecit._" To this, as he directed in his will, was to
be added simply "_et sibi_." This was done; but seventeen years
afterwards the clumsy Warburton erected in the same church another
monument to Pope himself, with this stupid inscription. _Poeta
loquitur._
_For one who would not lie buried in Westminster Abbey._
Heroes and kings, your distance keep!
In peace let one poor poet sleep
Who never flatter'd folks like you;
Let Horace blush and Virgil too.
Most of us can tell from experience how grievously our posthumous
ceremonials often jar upon the tenderest feelings of survivors. Pope's
valued friends seem to have done their best to surround the last scene
of his life with painful associations; and Pope, alas! was an
unconscious accomplice. To us of a later generation it is impossible to
close this strange history without a singular mixture of feelings.
Admiration for the extraordinary literary talents, respect for the
energy which, under all disadvantages of health and position, turned
these talents to the best account; love of the real tender-heartedness
which formed the basis of the man's character; pity for the many
sufferings to which his morbid sensitiveness exposed him; contempt for
the meannesses into which he was hurried; ridicule for the insatiable
vanity which prompted his most degrading subterfuges; horror for the
bitter animosities which must have tortured the man who cherished them
even more than his victims--are suggested simultaneously by the name of
Pope. As we look at him in one or other aspect, each feeling may come
uppermost in turn. The most abiding sentiment--when we think of him as a
literary phenomenon--is admiration for the exquisite skill which enabled
him to discharge a function, not of the highest kind, with a perfection
rare in any department of literature. It is more difficult to say what
will be the final element in our feeling about the man. Let us hope that
it may be the pity which, after a certain lapse of years, we may be
excused for conceding to the victim of moral as well as physical
diseases.
THE END.
LONDON:
GILBERT AND RIVINGTON, PRINTERS,
ST. JOHN'S SQUARE.
_Now publishing, in crown 8vo, price 2s. 6d. each._
ENGLISH MEN OF LETTERS
Edited by JOHN MORLEY.
JOHNSON. By LESLIE STEPHEN. Crown 8vo, 2_s._ 6_d._
"The new series opens well with Mr. Leslie Stephen's sketch of Dr.
Johnson. It could hardly have been done better, and it will convey to
the readers for whom it is intended a juster estimate of Johnson than
either of the two essays of Lord Macaulay."--PALL MALL GAZETTE.
SCOTT. By R. H. HUTTON. Crown 8vo, 2_s._ 6_d._
"We could not wish for a more suggestive introduction to Scott and his
poems and novels."--EXAMINER.
Public-domain text, read in full here on John Shaqi.
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