Pope's works belong to three distinct periods. The translation of Homer was the great work of the middle period of his life. In his later years he wrote the moral and satirical poems by which he is now best known. The earlier period, with which I have now to deal, was one of experimental excursions into various fields of poetry, with varying success and rather uncertain aim. Pope had already, as we have seen, gone through the process of "filling his basket." He had written the epic poem which happily found its way into the flames. He had translated many passages that struck his fancy in the classics, especially considerable fragments of Ovid and Statius. Following Dryden, he had turned some of Chaucer into modern English; and, adopting a fashion which had not as yet quite died of inanition, he had composed certain pastorals in the manner of Theocritus and Virgil. These early productions had been written under the eye of Trumbull; they had been handed about in manuscript; Wycherley, as already noticed, had shown them to Walsh, himself an offender of the same class. Granville, afterwards Lord Lansdowne, another small poet, read them, and professed to see in Pope another Virgil; whilst Congreve, Garth, Somers, Halifax, and other men of weight, condescended to read, admire, and criticize. Old Tonson, who had published for Dryden, wrote a polite note to Pope, then only seventeen, saying that he had seen one of the Pastorals in the hands of Congreve and Walsh, "which was extremely fine," and requesting the honour of printing it. Three years afterwards it accordingly appeared in Tonson's Miscellany, a kind of annual, of which the first numbers had been edited by Dryden. Such miscellanies more or less discharged the function of a modern magazine. The plan, said Pope to Wycherley, is very useful to the poets, "who, like other thieves, escape by getting into a crowd." The volume contained contributions from Buckingham, Garth, and Howe; it closed with Pope's Pastorals, and opened with another set of pastorals by Ambrose Philips--a combination which, as we shall see, led to one of Pope's first quarrels.