Poets, English -- 18th century -- Biography; Pope, Alexander, 1688-1744
1743, with a ponderous prefatory discourse by Ricardus Aristarchus,
contributed by the faithful Warburton, and illustrating his ponderous
vein of elephantine pleasantry.
Pope was nearing the grave, and many of his victims had gone before him.
It was a melancholy employment for an invalid, breaking down visibly
month by month; and one might fancy that the eminent Christian divine
might have used his influence to better purpose than in fanning the
dying flame, and adding the strokes of his bludgeon to the keen stabs of
Pope's stiletto. In the fourteen years which had elapsed since the first
Dunciad, Pope had found less unworthy employment for his pen; but,
before dealing with the works produced at this time, which include some
of his highest achievements, I must tell a story which is in some ways a
natural supplement to the war with the dunces. In describing Pope's
entangled history, it seems most convenient to follow each separate line
of discharge of his multifarious energy, rather than to adhere to
chronological order.
FOOTNOTES:
[13] See Pope to Swift, March 25, 1736.
CHAPTER VI.[14]
CORRESPONDENCE.
I have now to describe one of the most singular series of transactions
to be found in the annals of literature. A complete knowledge of their
various details has only been obtained by recent researches. I cannot
follow within my limits of space all the ins and outs of the complicated
labyrinth of more than diplomatic trickery which those researches have
revealed, though I hope to render the main facts sufficiently
intelligible. It is painful to track the strange deceptions of a man of
genius as a detective unravels the misdeeds of an accomplished swindler;
but without telling the story at some length, it is impossible to give a
faithful exhibition of Pope's character.
In the year 1726, when Pope had just finished his labours upon Homer,
Curll published the juvenile letters to Cromwell. There was no mystery
about this transaction. Curll was the chief of all piratical
booksellers, and versed in every dirty trick of the Grub-street trade.
He is described in that mad book, Amory's _John Buncle_, as tall, thin,
ungainly, white-faced, with light grey goggle eyes, purblind,
splay-footed, and "baker-kneed." According to the same queer authority,
who professes to have lodged in Curll's house, he was drunk, as often as
he could drink for nothing, and intimate in every London haunt of vice.
"His translators lay three in a bed at the Pewter Platter Inn in
Holborn," and helped to compile his indecent, piratical, and catchpenny
productions. He had lost his ears for some obscene publication; but
Amory adds, "to his glory," that he died "as great a penitent as ever
expired." He had one strong point as an antagonist. Having no character
to lose, he could reveal his own practices without a blush, if the
revelation injured others.
Public-domain text, read in full here on John Shaqi.
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