Last year the Drury Opera company gave a performance of Mascagni’s “Cavalleria Rusticana” and Leoncavallo’s “Pagliacci” at the Lexington Opera House for the benefit of the Home for Colored Musicians. Mme. Clough’s magnificent conception of the character of “Nedda” in the opera “Pagliacci” won immediate recognition. Her rendition of this role was marked by the display of intense emotional power, coupled with telling vocal capacity and expression. Mme. Clough recalls with interest the singing tour recently made in Baltimore and Washington with the S. Coleridge-Taylor Choral society of Washington. Our artist sang the soprano roles in S. Coleridge-Taylor’s “Hiawatha.” There were 200 voices in the chorus and the music was rendered by the United States Marine band, under the direction of the composer of “Hiawatha.” We have taken a rather extensive review of work far and near, but now we come home to ask the question whether or not a “prophet hath honor in his own country?” The proof in the affirmative is a matter of so recent date that hundreds of Worcester people are still discussing the marvellous ability of our accomplished musician. Concert by Mme. Estelle Clough. Mechanics’ hall, Worcester, Mass., Thursday evening, May 4, 1905, assisted by a number of talented artists: Mr. Paul C. W. Dufault, tenor, New York; Miss Marion Ward, violinist, Nashua, N. H.; Mr. Ernest S. Valva, flutist; Miss Blanche Kenerson, pianist and accompanist Miss Gertrude Gallagher, pianist; Mrs. Emma La Bonte, alto; Mr. C. Sharp, tenor; Mr. W. Ryan, basso, and a chorus of 40 ladies. [Illustration: MME. ESTELLE PINKNEY CLOUGH] More than 1500 persons listened with pleasure to the program so well arranged and including some of the most ambitious numbers which are included in the repertoire of a soprano. In referring to this concert, the Worcester Post says: “Mme. Clough achieved a distinct success. Her high and resonant tones, flexible and sweet, were heard to advantage in every part of the hall. Her selections were: “Ocean, Thou Mighty Monster,” from “Oberon,” Weber; “Indian Bell Song,” from “Lakme,” Delibes; “The Nightingale,” from “Les Noces de Jeannette,” Masse, and “The Sea Maiden,” Smart. Her handsome stage presence, her stunning gown of black velvet cut decollete and en train, with necklace of rare pearls and crimson roses in her hair, made a most attractive picture as she stood and received the prolonged applause that is seldom accorded even to a festival singer. She was presented many beautiful bouquets and was forced to return again and again.