Alexandria: A History and a GuideForster, E. M. (Edward Morgan)
History
Alexandria: A History and a Guide
Forster, E. M. (Edward Morgan)
Alexandria (Egypt) -- Guidebooks; Alexandria (Egypt) -- History
On a column in the right-hand corner: 2. Capital, well illustrating
mixture of styles; the general form and the acanthus leaves are
Greek, the lotus, papyrus, and serpents are Egyptian.
MIDDLE WALL, behind a curtain: 20. Painted side of a sarcophagus; a
shallow and pretty design of two game cocks about to fight across a
festoon of flowers. 2nd Cent. A.D.
LEFT WALL: 50. Other side of same sarcophagus: buildings in
perspective.
ROOM 16. STATUES, MOSTLY GRECO-ROMAN IN STYLE.
RIGHT WALL: 4. Marble torso of a young hero or god; the head and
arms, which were worked separately, are lost, good work. From
Alexandria—probably on a temple. 7-8. _On a shelf_—Statuettes,
headless and insignificant, but interesting for their
subject:—Alexander the Great as a god with the aegis. From
Alexandria. 12. On a column—Bust of the composite-goddess
Demeter-Selene, showing head-dress of Demeter and horns of the moon.
21-23: Priestesses of Isis, recognisable by the sacred knots into
which their shawls are tied in front. 28. Large Ionic capital;
another stands opposite, four others in the garden court. From
Silsileh, and is probably part of the Ptolemaic Palace. (p. 17) 27.
Greek funeral relief, as old as 3rd Cent. B.C. Found at Alexandria,
but probably imported from Athens.
CENTRE OF ROOM: 31. Fine bath of black stone, decorated with heads
of lions and of a lynx, through whom the water escaped. Further on
(37) is another. Both from the Western Necropolis, where they were
used as tombs. 33. Colossal votive foot, merging above the ankle
into a bust of Serapis. On the head a Greek dedication, to Serapis
from two of his worshippers; two serpents above with a child
(Horus?) between them. From Alexandria. 34. An immense eagle, rather
cumbersome, and presented by the late Khedive; from the island of
Thasos. 39. Gigantic forearm, holding a sphere. From Benha.
Public-domain text, read in full here on John Shaqi.
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