Poets, English -- 19th century -- Biography; Tennyson, Alfred Tennyson, Baron, 1809-1892
A new poem like _The Princess_ would soon reach the public of our day, so
greatly increased are the uses of advertisement. But _The Princess_
moved slowly from edition to revised and improved edition, bringing
neither money nor much increase of fame. The poet was living with his
family at Cheltenham, where among his new acquaintances were Sydney
Dobell, the poet of a few exquisite pieces, and F. W. Robertson, later so
popular as a preacher at Brighton. Meeting him for the first time, and
knowing Robertson’s “wish to pluck the heart from my mystery, from pure
nervousness I would only talk of beer.” This kind of shyness beset
Tennyson. A lady tells me that as a girl (and a very beautiful girl) she
and her sister, and a third, _nec diversa_, met the poet, and expected
high discourse. But his speech was all of that wingless insect which
“gets there, all the same,” according to an American lyrist; the insect
which fills Mrs Carlyle’s letters with bulletins of her success or
failure in domestic campaigns.
Tennyson kept visiting London, where he saw Thackeray and the despair of
Carlyle, and at Bath House he was too modest to be introduced to the
great Duke whose requiem he was to sing so nobly. Oddly enough Douglas
Jerrold enthusiastically assured Tennyson, at a dinner of a Society of
Authors, that “you are the one who will live.” To that end, humanly
speaking, he placed himself under the celebrated Dr Gully and his
“water-cure,” a foible of that period. In 1848 he made a tour to King
Arthur’s Cornish bounds, and another to Scotland, where the Pass of
Brander disappointed him: perhaps he saw it on a fine day, and, like
Glencoe, it needs tempest and mist lit up by the white fires of many
waterfalls. By bonny Doon he “fell into a passion of tears,” for he had
all of Keats’s sentiment for Burns: “There never was immortal poet if he
be not one.” Of all English poets, the warmest in the praise of Burns
have been the two most unlike himself—Tennyson and Keats. It was the
songs that Tennyson preferred; Wordsworth liked the _Cottar’s Saturday
Night_.
V.
IN MEMORIAM.
Public-domain text, read in full here on John Shaqi.
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