Poets, English -- 19th century -- Biography; Tennyson, Alfred Tennyson, Baron, 1809-1892
The dates answer Mr Harrison. Jowett did not publish anything till at
least fifteen years after Tennyson wrote his poems on evolution and
belief. Dr Boyd Carpenter’s works previous to 1840 are unknown to
bibliography. F. W. Robertson was a young parson at Cheltenham. Ruskin
had not published the first volume of _Modern Painters_. His Oxford
prize poem is of 1839. Mr Stopford Brooke was at school. The Duke of
Argyll was being privately educated: and so with the rest, except the
contemporary Maurice. How can Mr Harrison say that, in the time of _In
Memoriam_, Tennyson was “in touch with the ideas of Herschel, Owen,
Huxley, Darwin, and Tyndall”? {65} When Tennyson wrote the parts of _In
Memoriam_ which deal with science, nobody beyond their families and
friends had heard of Huxley, Darwin, and Tyndall. They had not
developed, much less had they published, their “general ideas.” Even in
his journal of the _Cruise of the Beagle_ Darwin’s ideas were religious,
and he naïvely admired the works of God. It is strange that Mr Harrison
has based his criticism, and his theory of Tennyson’s want of
originality, on what seems to be a historical error. He cites parts of
_In Memoriam_, and remarks, “No one can deny that all this is exquisitely
beautiful; that these eternal problems have never been clad in such
inimitable grace . . . But the train of thought is essentially that with
which ordinary English readers have been made familiar by F. D. Maurice,
Professor Jowett, _Ecce Homo_, _Hypatia_, and now by Arthur Balfour, Mr
Drummond, and many valiant companies of _Septem_ [why _Septem_?] _contra
Diabolum_.” One must keep repeating the historical verity that the ideas
of _In Memoriam_ could not have been “made familiar by” authors who had
not yet published anything, or by books yet undreamed of and unborn, such
as _Ecce Homo_ and Jowett’s work on some of St Paul’s Epistles. If these
books contain the ideas of _In Memoriam_, it is by dint of repetition and
borrowing from _In Memoriam_, or by coincidence. The originality was
Tennyson’s, for we cannot dispute the evidence of dates.
Public-domain text, read in full here on John Shaqi.
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