Poets, English -- 19th century -- Biography; Tennyson, Alfred Tennyson, Baron, 1809-1892
Mr Harrison argues as if, unlike Tennyson, Byron, Wordsworth, Shelley,
and Burns produced “original ideas fresh from their own spirit, and not
derived from contemporary thinkers.” I do not know what original ideas
these great poets discovered and promulgated; their ideas seem to have
been “in the air.” These poets “made them current coin.” Shelley
thought that he owed many of his ideas to Godwin, a contemporary thinker.
Wordsworth has a debt to Plato, a thinker not contemporary. Burns’s
democratic independence was “in the air,” and had been, in Scotland,
since Elder remarked on it in a letter to Ingles in 1515. It is not the
ideas, it is the expression of the ideas, that marks the poet.
Tennyson’s ideas are relatively novel, though as old as Plotinus, for
they are applied to a novel, or at least an unfamiliar, mental situation.
Doubt was abroad, as it always is; but, for perhaps the first time since
Porphyry wrote his letter to Abammon, the doubters desired to believe,
and said, “Lord, help Thou my unbelief.” To robust, not sensitive minds,
very much in unity with themselves, the attitude seems contemptible, or
at best decently futile. Yet I cannot think it below the dignity of
mankind, conscious that it is not omniscient. The poet does fail in
logic (_In Memoriam_, cxx.) when he says—
“Let him, the wiser man who springs
Hereafter, up from childhood shape
His action like the greater ape,
But I was _born_ to other things.”
I am not well acquainted with the habits of the greater ape, but it would
probably be unwise, and perhaps indecent, to imitate him, even if “we
also are his offspring.” We might as well revert to polyandry and paint,
because our Celtic or Pictish ancestors, if we had any, practised the one
and wore the other. However, petulances like the verse on the greater
ape are rare in _In Memoriam_. To declare that “I would not stay” in
life if science proves us to be “cunning casts in clay,” is beneath the
courage of the Stoical philosophy.
Theologically, the poem represents the struggle with doubts and hopes and
fears, which had been with Tennyson from his boyhood, as is proved by the
volume of 1830. But the doubts had exerted, probably, but little
influence on his happiness till the sudden stroke of loss made life for a
time seem almost unbearable unless the doubts were solved. They _were_
solved, or stoically set aside, in the _Ulysses_, written in the
freshness of grief, with the conclusion that we must be
“Strong in will
To strive, to seek, to find, and not to yield.”
Public-domain text, read in full here on John Shaqi.
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