Algeria from withinBodley, R. V. C. (Ronald Victor Courtenay)
History
Algeria from within
Bodley, R. V. C. (Ronald Victor Courtenay)
Algeria -- Description and travel
“Kourdane,” replied my companion to my inquiry; “the house
built by Madame Aurélie; the garden created by her with water from
many wells; everything done on the most lavish scale and now hardly
appreciated by her descendants.”
Indeed, as we approached the wide portal of the outer wall, I noticed
that the building had not been whitewashed for years and that the
plaster was peeling off. Fissures had appeared, and though the mass
of the edifice struck one forcibly after the usual one-storied Arab
houses, I realized that we were in a splendor of the past.
The _marabout_ hurried out to greet us. Small of stature, with
decidedly negro features, his general appearance on first contact
was not impressive. And yet as one watched him one realized a kind of
superiority engrained by many generations of domination. My _caïd_
kissed his hand, the chauffeur kissed his hand and his head; the
young man took it all as calmly as the hand-shake I gave him.
He led us along the side of the house to the front and here,
of a sudden, one was transported out of any sort of Arab setting.
Instead of the usual small doorway leading to some dim ante-chamber
or narrow staircase, we came upon a great flagged space interspersed
with flower-beds and fountains and rivulets, while tall cypresses
grew about, protecting the garden from the desert winds.
A broad staircase built of rosy stone led up to a terrace pillared
and tiled in delicate shades, giving an impression of majesty, of
far-away power, of magnificence. We mounted the stairway and were
led into a dining-room quite simple in spite of its size, and then
into a drawing-room. An array of superb Arab furniture filled the
room, not the tawdry tables and chairs bought in Algiers, but the
real work of the country: chests of drawers, cupboards, brackets
inlaid with mother-of-pearl, priceless carpets on the floor, and
lovely hangings over the doors; swords and daggers of all periods
festooned the walls. We passed out of the drawing-room on to a
gallery running all the length of the building, and on to which
opened the guestrooms. As we entered the first, I was struck by
the richness of the setting, by the real Arab bed hung about with
brocaded curtains, then I realized that I was not in one room but
in a series. I turned in surprise to the _caïd_. He smiled at my
astonishment and explained that at Kourdane every guest had his
private suite—bedroom, sitting-room, dining-room—and that in
the old days of the Great Marabout meals were sent separately to
each person who spent the night there. The importance of the repast
varied according to the standing of the guest, but great or small,
he was waited on in his own apartment. Afterward every one met in
the drawing-room for coffee.
“Even now,” he added, “we shall dine in the dining-room
without our host, who will be served apart.”
I could find nothing to say; the old baronial hall of the Middle
Ages with the high table seemed eclipsed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account