Alhalla, or the Lord of Talladega: A Tale of the Creek War.: With Some Selected Miscellanies, Chiefly of Early Date. — John Shaqi
Alhalla, or the Lord of Talladega: A Tale of the Creek War.: With Some Selected Miscellanies, Chiefly of Early Date.Schoolcraft, Henry Rowe
General
Alhalla, or the Lord of Talladega: A Tale of the Creek War.: With Some Selected Miscellanies, Chiefly of Early Date.
Schoolcraft, Henry Rowe
American poetry -- 19th century; Creek War, 1813-1814 -- Poetry
The present tale, in which fiction builds itself upon these general
facts, turns upon the contest of the Muscogees, their exertions, their
discomfitures, and their final fall. It opens at a distant point, many
degrees towards the north, within a short period after the close of
the Creek war. It occupies two days and two nights in its action. The
idea here brought forward of uniting or intermingling the dramatic,
with the narrative and descriptive, is believed to be well adapted to
topics of this character, in which the natural bent of the natives
for declamation and mystic romance may be indulged, while the time
of the action, it is conceived, may be thereby curtailed, and verbal
description retrenched. The measure is thought to be not ill adapted
to the Indian mode of enunciation. Nothing is more characteristic of
their harangues and public speeches, than that vehement, yet broken and
continued strain of utterance, which would be subject to the charge of
monotony, were it not varied by an extraordinary compass in the stress
of voice, broken by the repetition of high and low accent, and often
terminated with an exclamatory vigor, which is sometimes startling.
It is not the less in accordance with these traits, that nearly every
initial syllable of the measure chosen, is under accent. This at least
may be affirmed, that it imparts a movement to the narrative, which, at
the same time that it obviates languor, favors that repetitious rhythm,
or pseudo-parallelism, which so strongly marks their highly compound
lexicography.
Of the theme itself, nothing further is requisite to be said. The
tale was written, as it now stands, in 1826, with a few exceptions of
earlier date; and it may be added, that it was among the _agremens_
of the writer’s seclusion, while he was living in a public capacity,
within the impressive scenes, and among the manly tribes, in the lake
region described. That its publication should have been deferred until
the author had seen cause to resume the original orthography of the
initial syllable of his patronymic name, may render it proper further
to add, in this connection, that the change from School, and resumption
of Col, in the adjective syllable of the name, is in strict conformity
with family tradition, supported by recent observation in England. In
the latter country, however, the name is uniformly written Cal, however
it may be pronounced.
[1] A name inveterately recorded in our annals, under the false
orthography of Tecumseh—which is not true Shawanoe.
INTRODUCTORY STANZAS.
Stretched on his couch, the Indian warrior lay,
His bow and quiver prostrate at his side,
Revolving all his fate in still dismay,
Dominion lost, skill baffled, power defied.
“Shades of my fathers!” thus his reverie ran,
“And shall the Red Man thus, in clouds decline,
With no memorial of his name or clan,
Or only left to point the poet’s line,
And tell to other years, the tale of his decline?”
Public-domain text, read in full here on John Shaqi.
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